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The Apologia and Florida of Apuleius of Madaura

Apuleius of Madaura · c. 158–161 CE (composed after the Oea trial; includes the Apologia and related Florida orations, with the Florida pieces composed across the 160s) primary

passage 113 of 141 · (111/111)

in brief
Apuleius compares a well-equipped ship in a storm without a helmsman to a wealthy man: showy surroundings can’t save you, so real guidance and diagnosis matter more than riches or ornament.

Imagine all this and then think how easily, if the tempest and no helmsman be her guide, the deep may engulf her or the reefs grind her to pieces with all her goodly gear. Again, when physicians enter a sick man's house to visit him, none of them bids the invalid be of good cheer on account of the exquisite balconies with which they see the house to be adorned, nor on account of the fretted ceilings all overlaid with gold, or the multitudes of handsome boys and youths that stand about the couch in his chamber. Rather the physician sits down by the man's bedside, takes his hand, feels it and explores the beat and movements of the pulse. If he discovers any irregularity or disorder, he informs his patient that he is seriously ill. Our rich man is bidden fast: on that day mid all the abundant store of his own house, he touches not even bread: and meanwhile all his slaves feast and are merry, and their servile state makes no difference to them. An improvisation.

  1. You have asked me to give you an improvisation. Listen then. You have heard me speak prepared, now hear me unprepared. I think I risk but little in making an attempt to speak without premeditation in view of the extraordinary approval which I have won by my set speeches. For having pleased you by more serious efforts, I have no fear of displeasing you when I speak on a frivolous subject. But in order that you may know me in all my infinite variety, make trial of me in what Lucilius called

The improviser's formless art,

and see whether I have the same skill at short notice as I have after preparation; if indeed there be any of you who have never heard the trifles I toss off on the spur of the moment. You will listen to them with the same critical exactitude that I have bestowed on their composition, but with greater complaisance, I hope, than I can feel in reciting them. For prudent judges are wont to judge finished works by a somewhat severe standard, but are far more complaisant to improvisations. For you weigh and examine all that is actually written, but in the case of extempore speaking pardon and criticism go hand in hand, as it is right they should. For what we read forth from manuscript will remain such as it was when set down, even though you say nothing, but those words which I must utter now and the travail of whose birth you must share with me, will be just such as your favour shall make them. For the more I modify my style to suit your taste, the more I shall please you.[64] I see that you hear me gladly. From this moment it lies with you to furl or spread my sails, that they hang not slack and drooping nor be reefed and brailed. [Footnote 64: modificabor, tanto a vobis in maius tolletur. So all editions before Van der Vliet. The words tanto ... tolletur have no MS.

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topics: capital, credit, and banking · medicine, disease, and healing · poverty and wealth

The Apologia and Florida of Apuleius of Madaura · Apuleius of Madaura · 155–169