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The Metamorphoses of Ovid, Books I-VII

Ovid · c. 1st century CE (composed in stages across the principate of Augustus; Books I–VII within the broader work) primary

passage 33 of 247 · Book “on the plan recommended by Mr. Locke,” was published in 1839, which had been already preceded by “a selection from the Metamorphoses of Ovid, adapted to the Hamiltonian system, by a literal and interlineal translation,” published by James Hamilton, the author of the Hamiltonian system. This work contains selections only from the first six books, and consequently embraces but a very small portion of the entire work. > chapter of Genesis. The Poet tells us, that the King of heaven calls (11/17)

↪ you wandered here via “Cupid worship and devotion” — the connecting lines are tinted below

in brief
The text offers an interpretation of the Python story as a rationalized, possibly historical conflict near Parnassus, explaining why Pythian games arose near Delphi and what arts were included.

the heat of the sun, having dissipated the noxious exhalations emitted by the receding waters, the reptiles, which had been produced from the slime left by the flood, immediately disappeared.

If, however, we treat this narrative as based on historical facts, it is probable that the serpent represented some robber who infested the neighborhood of Parnassus, and molested those who passed that way for the purpose of offering sacrifice. A prince, either bearing the name of Apollo, or being a priest of that God, by his destruction liberated that region from this annoyance. This event gave rise to the institution of the Pythian games, which were celebrated near Delphi. Besides the several contests mentioned by Ovid, singing, dancing, and instrumental music, formed part of the exercises of these games. The event which Ovid here places soon after the deluge, must have happened much later, since in the time of Deucalion, the worship of Apollo was not known at Delphi. The Goddess Themis then delivered oracles there, which, previously to her time, had been delivered by the Earth.

FABLE XII. [I.452-567]

Apollo, falling in love with Daphne, the daughter of the river Peneus, she flies from him. He pursues her; on which, the Nymph, imploring the aid of her father, is changed into a laurel.

Daphne, the daughter of Peneus, was the first love of Phœbus; whom, not blind chance, but the vengeful anger of Cupid assigned to him.

The Delian {God},[73] proud of having lately subdued the serpent, had seen him bending the bow and drawing the string, and had said, “What hast thou to do, wanton boy, with gallant arms? Such a burden as that {better} befits my shoulders; I, who am able to give unerring wounds to the wild beasts, {wounds} to the enemy, who lately slew with arrows innumerable the swelling Python, that covered so many acres {of land} with his pestilential belly. Do thou be contented to excite I know not what flames with thy torch; and do not lay claim to praises {properly} my own.”

To him the son of Venus replies, “Let thy bow shoot all things, Phœbus; my bow {shall shoot} thee; and as much as all animals fall short of thee, so much is thy glory less than mine.” He {thus} said; and cleaving the air with his beating wings, with activity he stood upon the shady heights of Parnassus, and drew two weapons out of his arrow-bearing quiver, of different workmanship; the one repels, the other excites desire. That which causes {love} is of gold, and is brilliant, with a sharp point; that which repels it is blunt, and contains lead beneath the reed. This one the God fixed in the Nymph, the daughter of Peneus, but with the other he wounded the {very} marrow of Apollo, through his bones pierced {by the arrow}. Immediately the one is in love; the other flies from the {very} name of a lover, rejoicing in the recesses of the woods, and in the spoils of wild beasts taken {in hunting}, and becomes a rival of the virgin Phœbe. A fillet tied together[74] her hair, put up without any order. Many a one courted her; she hated all wooers; not able to endure, and quite unacquainted with man, she traverses the solitary parts of the woods, and she cares not what Hymen,[75] what love, {or} what marriage means. Many a time did her father say, “My daughter, thou owest me a son-in-law;” many a time did her father say, “My daughter, thou owest me grandchildren.” She, utterly abhorring the nuptial torch,[76] as though a crime, has her beauteous face covered with the blush of modesty; and clinging to her father’s neck, with caressing arms, she says, “Allow me, my dearest father, to enjoy perpetual virginity; her father, in times, bygone, granted this to Diana.”

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topics: festivals, games, and spectacle · history and the writing of history

The Metamorphoses of Ovid, Books I-VII · Ovid · 1 BCE–8