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The Lives of the Twelve Caesars, Volume 03: Tiberius

C. Suetonius Tranquillus (trans. Alexander Thomson, rev. T. Forester) · c. 121 CE primary

passage 41 of 47 · (41/47)

in brief
Suetonius describes Tiberius as hostile to nature and society, showing austere-looking severity that later turns into unnatural excess, constrained by fear of Sejanus until political necessity removes it, and then unchecked rioting occurs.

during his reign, was upon the occasion of those fires, when, to qualify the severity of his government, he indemnified the most considerable sufferers for the loss they had sustained.

Through the whole of his life, Tiberius seems to have conducted himself with a uniform repugnance to nature. Affable on a few occasions, but in general averse to society, he indulged, from his earliest years, a moroseness of disposition, which counterfeited the appearance of austere virtue; and in the decline of life, when it is common to reform from juvenile indiscretions, he launched forth into excesses, of a kind the most unnatural and most detestable. Considering the vicious passions which had ever brooded in his heart, it may seem surprising that he restrained himself within the bounds of decency during so many years after his accession; but though utterly destitute of reverence or affection for his mother, he still felt, during her life, a filial awe upon his mind: and after her death, he was actuated by a slavish fear of Sejanus, until at last political necessity absolved him likewise from this restraint. These checks being both removed, (247) he rioted without any control, either from sentiment or authority.

Pliny relates, that the art of making glass malleable was actually discovered under the reign of Tiberius, and that the shop and tools of the artist were destroyed, lest, by the establishment of this invention, gold and silver should lose their value. Dion adds, that the author of the discovery was put to death.

The gloom which darkened the Roman capital during this melancholy period, shed a baleful influence on the progress of science throughout the empire, and literature languished during the present reign, in the same proportion as it had flourished in the preceding. It is doubtful whether such a change might not have happened in some degree, even had the government of Tiberius been equally mild with that of his predecessor. The prodigious fame of the writers of the Augustan age, by repressing emulation, tended to a general diminution of the efforts of genius for some time; while the banishment of Ovid, it is probable, and the capital punishment of a subsequent poet, for censuring the character of Agamemnon, operated towards the farther discouragement of poetical exertions. There now existed no circumstance to counterbalance these disadvantages. Genius no longer found a patron either in the emperor or his minister; and the gates of the palace were shut against all who cultivated the elegant pursuits of the Muses. Panders, catamites, assassins, wretches stained with every crime, were the constant attendants, as the only fit companions, of the tyrant who now occupied the throne. We are informed, however, that even this emperor had a taste for the liberal arts, and that he composed a lyric poem upon the death of Lucius Caesar, with some Greek poems in imitation of Euphorion, Rhianus, and Parthenius. But none of these has been transmitted to posterity: and if we should form an opinion of them upon the principle of Catullus, that to be a good poet one ought to be a good man, there is little reason to regret that they have perished.

We meet with no poetical production in this reign; and of prose writers the number is inconsiderable, as will appear from the following account of them.----

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topics: crime and punishment · faction, party, and civil strife · the fear of death

The Lives of the Twelve Caesars, Volume 03: Tiberius · C. Suetonius Tranquillus (trans. Alexander Thomson, rev. T. Forester) · 110–121