HKB
of the present translation follows the original, except for the lengthening of the fourth line of the stanza which the author only occasionally differentiates in this respect from the rest.
The "Nibelungenlied," like other poems of the Middle Ages that were widely read and widely copied, was subjected all along its career of transmission to additions and alterations, and has consequently come down to us not in a single form, but in a number of different versions that deviate to a greater or less extent from the original poem and from each other. Whole or in part there are no less than twenty-eight MSS. Ten of these are complete: three of them, usually cited A, B, C, are parchment MSS. of the thirteenth century, two are parchments of the fourteenth century, four are paper MSS. of the fifteenth century, and one is a parchment of the sixteenth century. Of all these manuscripts it is commonly conceded that only A, B, C have independent authenticity. It is not necessary here to go into the details of the long discussion as to the relative value of the MSS. with regard to the age and original condition of the particular text which each contains. Each one has by different critics been given the preference over the others.
Zarncke, who is one of the most rational and impartial of the critics of the poem in all its bearings, makes C, a beautifully written MS. from the dividing line between the twelfth and thirteenth centuries, preserved in the court library of Donaueschingen, the nearest in every essential way to the original form of the poem. Subsequently, the whole, according to him, was subjected to a revision which brought it more into accord with contemporary taste. The text is amplified by the introduction of new episodes into the narrative, although some of the older strophes are omitted, and, unfortunately, the old dignity and simplicity of the diction is frequently sacrificed in favor of a more pronounced effect. This stage of the poem in its full form is not represented in either of the oldest MSS. B, a manuscript from the middle of the thirteenth century, in the monastery of St. Gallen, occupied an intermediate position in length. It is made by Bartsch, who regards it "as relatively the most faithful picture of the original form of the lost poem," the basis of his edition of the "Nibelungenlied." A, a carelessly written MS. in the Munich Library, is the shortest form of the poem, but is, nevertheless, in its turn regarded by Lachmann as inherently the oldest and best version that we possess. Lettsom's translation, in that it follows the text and modern German version of Braunfels, published in 1846, is based upon A, but with the inclusion of other strophes, particularly from C.
The "Nibelungenlied" was first published at Zurich, by Bodmer, in 1757, and since then has appeared in many editions and modernized versions at home, and in numerous translations abroad, among them Low German, French, Italian, Dutch, and Hungarian.