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The Metamorphoses of Ovid, Books VIII-XV

Ovid · c. 8 CE–17/18 CE

passage 120 of 276 · Book “on the plan recommended by Mr. Locke,” was published in 1839, which had been already preceded by “a selection from the Metamorphoses of Ovid, adapted to the Hamiltonian system, by a literal and interlineal translation,” published by James Hamilton, the author of the Hamiltonian system. This work contains selections only from the first six books, and consequently embraces but a very small portion of the entire work. > BOOK THE ELEVENTH. (9/31)

in brief
The explanation gathers variants on Midas’ lineage, his supposed gold-touch and relation to Bacchus, his stupidity shown by choosing Pan, and it also summarizes competing myths about Tmolus’ death and burial.

EXPLANATION.

Midas, according to Pausanias, was the son of Gordius and Cybele, and reigned in the Greater Phrygia. Strabo says that he and his father kept their court near the river Sangar, in cities which, in the time of that author had become mean villages. As Midas was very rich, and at the same time very frugal, it was reported that whatever he touched was at once turned into gold; and Bacchus was probably introduced into his story, because Midas had favoured the introduction of his worship, and was consequently supposed to have owed his success to the good offices of that Divinity. He was probably the first who extracted gold from the sands of the river Pactolus, and in that circumstance the story may have originated. Strabo says that Midas found the treasures which he possessed in the mines of Mount Bermius. It was said that in his infancy some ants were seen to creep into his cradle, and to put grains of wheat in his mouth, which was supposed to portend that he would be rich and frugal.

As he was very stupid and ignorant, the fable of his preference of the music of Pan to that of Apollo was invented, to which was added, perhaps, as a mark of his stupidity, that the God gave him a pair of asses’ ears. The scholiast of Aristophanes, to explain the story, says either it was intended to shew that Midas, like the ass, was very quick of hearing, or in other words, had numerous spies in all parts of his dominions; or, it was invented, because his usual place of residence was called Onouta, ὄνου ὦτα, ‘the ears of an ass.’ Strabo says that he took a draught of warm bullock’s blood, from the effects of which he died; and, according to Plutarch, he did so to deliver himself from the frightful dreams with which he was tormented.

Tmolus, the king of Lydia, according to Clitophon, was the son of Mars and the Nymph Theogene, or, according to Eustathius, of Sipylus and Eptonia. Having violated Arriphe, a Nymph of Diana, he was, as a punishment, tossed by a bull, and falling on some sharp pointed stakes, he lost his life, and was buried on the mountain that afterwards bore his name.

FABLE IV. [XI.194-220]

Apollo and Neptune build the walls of Troy for king Laomedon, who refuses to give the Gods the reward which he has promised: on which Neptune punishes his perjury by an inundation of his country. Laomedon is then obliged to expose his daughter to a sea monster, in order to appease the God. Hercules delivers her; and Laomedon defrauds him likewise of the horses which he has promised him. In revenge, Hercules plunders the city of Troy, and carries off Hesione, whom he gives in marriage to his companion Telamon.

The son of Latona, having {thus} revenged himself, departs from Tmolus, and, borne through the liquid air, rests on the plains of Laomedon, on this side of the narrow sea of Helle, the daughter of Nephele. On the right hand of Sigæum and on the left of the lofty Rhœtæum,[14] there is an ancient altar dedicated to the Panomphæan[15] Thunderer. Thence, he sees Laomedon {now} first building the walls of rising Troy, and that this great undertaking is growing up with difficult labour, and requires no small resources. And {then}, with the trident-bearing father of the raging deep, he assumes a mortal form, and for the Phrygian king they build the walls,[16] a sum of gold being agreed on for the defences.

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topics: fate, destiny, and necessity · myth and the gods of the nations

The Metamorphoses of Ovid, Books VIII-XV · Ovid · 8–18