HKB
"The Jewish State" should be regarded as one of a series of books, variations on the same theme, composed by the same author. The first was "The New Ghetto" (1894). That was a play which dealt with the social life of the upper class of Jews in Vienna. Then came the "Address to the Rothschilds." That was a memorandum which contained a proposal to Jewish philanthropists. "The Jewish State" was the third effort of an agitated mind, wavering between the projection of a Utopia or a thesis, and containing the political solution of the Jewish problem. The final variant of the original theme was the novel "Altneuland." Here he pictured the Promised Land as it might become twenty years after the beginning of the Zionist movement. In the interims, he played on the exciting stage of the Zionist Congresses. He paid court to princes and their satellites. He led in the organization of the Jewish Colonial Trust and the Jewish National Fund. He delivered political addresses and engaged in political controversy. He began the writing of his "Diaries" after he had written "The Jewish State." His whole personality is reflected in that remarkable book. There you see his ideas in the process of becoming clear. There you see his sharp reactions; the reflection of his hopes, his disappointments, his shifts from untenable positions to positions possible after defeat. There you read his penetrating analysis of the figures on the Zionist stage upon whom he had to rely. There you are made to feel his doubts, his dread of death. In the midst of life he felt himself encircled by the Shadow of Death. There you found the explanation of his great haste, why he was so anxious to bring a measure of practical reality to the Jewish people even if it necessitated a detour from the land which was becoming more and more a part of his hopes and desires. The "Diaries" are unrestrained and unstudied. They were written hurriedly in the heat of the moment. They reveal the making of the great personality who gave only a glimpse of himself in "The Jewish State." They show the writer evolving as the hero of a great and lasting legend. The pamphlet is one of the chapters in the story of his struggle to achieve in eight years what his people had not been able to achieve in two thousand years. He gave his life to write it.
Theodor Herzl
A BIOGRAPHY based on the work of
Alex Bein
Theodor Herzl was born on Wednesday, May 2, 1860, in the city of Budapest.
Almost next door to his father's house was the liberal-reform temple. To this house of worship the little boy went regularly with his father on Sabbaths and Holy Days. At home, too, the essentials of the ritual were observed. One ceremony which Theodor learned in childhood remained with him; before every important event and decision he sought the blessing of his parents.
Even stronger than these impressions, however, was the influence of his mother. Her education had been German through and through; there was not a day on which she did not slip into German literature, especially the classics.
The Jewish world, not alien to her, did not find expression through her; her conscious efforts were all directed toward implanting the German cultural heritage in her children. Of even deeper significance was her sympathetic attitude toward the pride which showed early in her son, and her skill in transferring to him her sense of form, of bearing, of tactfulness and of simple grace.
At about the age of twelve he read in a German book about the Messiah-King whom many Jews still awaited and who would come riding, like the poorest of the poor on an ass. The history of the Exodus and the legend of the liberation by the King-Messiah ran together in the boy's mind, inspiring in him the theme of a wonderful story which he sought in vain to put into literary form.