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The Metamorphoses of Ovid, Books I-VII

Ovid · c. 1st century CE (composed in stages across the principate of Augustus; Books I–VII within the broader work) primary

passage 162 of 247 · Book “on the plan recommended by Mr. Locke,” was published in 1839, which had been already preceded by “a selection from the Metamorphoses of Ovid, adapted to the Hamiltonian system, by a literal and interlineal translation,” published by James Hamilton, the author of the Hamiltonian system. This work contains selections only from the first six books, and consequently embraces but a very small portion of the entire work. > part of Epirus, so called from Chaon, who was accidentally killed, (18/20)

↪ you wandered here via “Alpheus subterranean flow” — the connecting lines are tinted below

in brief
The commentary argues that the fountain Arethusa and the river Alpheus myth arose from confusing Sicilian place-names, and it cites Delphi’s oracle to Archias and Pausanias’ skepticism.

[Footnote 73: Hoary willows.--Ver. 590. The leaf of the willow has a whitish hue, especially on one side of it.]

[Footnote 74: Orchomenus.--Ver. 607. This was a city of Arcadia, in a marshy district, near to Mantinea. There was another place of the same name, in Bœotia, between Elatea and Coronea, famous for a splendid temple to the Graces, there erected.]

[Footnote 75: Psophis.--Ver. 607. This was a city of Arcadia also, adjoining to the Elean territory, which received its name from Psophis, the daughter of Lycaon, or of Eryx, according to some writers. There were several other towns of the same name. The other places here mentioned, with the exception of Elis, were mountains of Arcadia.]

[Footnote 76: Ho, Arethusa!--Ver. 625-6. Clarke thus translates these lines:--‘And twice called out Soho, Arethusa! Soho, Arethusa! What thought had I then, poor soul!’]

[Footnote 77: To Ortygia.--Ver. 640. From the similarity of its name to that of the Goddess Diana, who was called Ortygia, from the Isle of Delos, where she was born.]

EXPLANATION.

Bochart tells us that the story of the fountain Arethusa and the river Alpheus, her lover, who traversed so many countries in pursuit of her, has no other foundation than an equivocal expression in the language of the first inhabitants of Sicily. The Phœnicians, who went to settle in that island, finding the fountain surrounded with willows, gave it the name of ‘Alphaga,’ or ‘the fountain of the willows.’ Others, again, gave it the name of ‘Arith,’ signifying ‘a stream.’ The Greeks, arriving there in after ages, not understanding the signification of these words, and remembering their own river Alpheus, in Elis, imagined that since the river and the fountain had nearly the same name, Alpheus had crossed the sea, to arrive in Sicily.

This notion appearing, probably, to the poets not devoid of ingenuity, they accordingly founded on it the romantic story of the passion of the river God Alpheus for the Nymph Arethusa. Some of the ancient historians appear, however, in their credulity, really to have believed, at least, a part of the story, as they seriously tell us, that the river Alpheus passes under the bed of the sea, and rises again in Sicily, near the fountain of Arethusa. Even among the more learned, this fable gained credit; for we find the oracle of Delphi ordering Archias to conduct a colony of Corinthians to Syracuse, and the priestess giving the following directions:--‘Go into that island where the river Alpheus mixes his waters with the fair Arethusa.’

Pausanias avows, that he regards the story of Alpheus and Arethusa as a mere fable; but, not daring to dispute a fact established by the response of an oracle, he does not contradict the fact of the river running through the sea, though he is at a loss to understand how it can happen.

FABLE VII. [V.642-678]

Ceres entrusts her chariot to Triptolemus, and orders him to go everywhere, and cultivate the earth. He obeys her, and, at length, arrives in Scythia, where Lyncus, designing to kill him, is changed into a lynx. The Muse then finishes her song, on which the daughters of Pierus are changed into magpies.

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topics: divination and oracles · doubt, skepticism, and certainty · geography and the description of places · myth and the gods of the nations

The Metamorphoses of Ovid, Books I-VII · Ovid · 1 BCE–8