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The Metamorphoses of Ovid, Books I-VII

Ovid · c. 1st century CE (composed in stages across the principate of Augustus; Books I–VII within the broader work) primary

passage 105 of 247 · Book “on the plan recommended by Mr. Locke,” was published in 1839, which had been already preceded by “a selection from the Metamorphoses of Ovid, adapted to the Hamiltonian system, by a literal and interlineal translation,” published by James Hamilton, the author of the Hamiltonian system. This work contains selections only from the first six books, and consequently embraces but a very small portion of the entire work. > part of his list has perished, and what remains is in a very (19/19)

in brief
An editorial explanation describes Dionysus/Bacchus as a many-named deity linked to Osiris, and gives accounts of Pentheus, Bacchic festivals like the Trieterica, and the sea-travel transformation story tied to Naxos.

saying that Bacchus had been nursed on Mount Nysa, in Arabia, according to the Egyptian version of the story, published that he had been carried in the thigh of Jupiter.

As Bacchus applied himself to the cultivation of the vine, and taught his subjects several profitable and necessary arts, he was honored as a Divinity; and having won the esteem of many neighboring countries, his worship soon spread. Among his several festivals there was one called the Trieterica, which was celebrated every three years. In that feast the Bacchantes carried the figure of the God in a chariot drawn by two tigers, or panthers; and, crowned with vine leaves, and holding thyrsi in their hands, they ran in a frantic manner around the chariot, filling the air with the noise of tambourines and brazen instruments, shouting ‘Evoë. Bacche!’ and calling the God by his several names of Bromius, Lyæus, Evan, Lenæus, and Sabazius. To this ceremonial, received from the Egyptians, the Greeks added other ceremonies replete with abominable licentiousness, and repulsive to common decency. These were often suppressed by public enactment, but were as often re-established by the votaries of lewdness and immodesty, and such as found in these festivals a pretext and opportunity for the commission of the most horrible offences.

The story of the unfortunate fate of Pentheus is supposed by the ancient writers to have been strictly true. Pentheus, the son of Echion and Agave, the daughter of Cadmus, having succeeded his grandfather in his kingdom, is supposed, like him, to have opposed those abuses that had crept into the mysteries of Bacchus, and went to Mount Cithæron for the purpose of chastising the Bacchantes, who were celebrating his festival; whereupon, in their frantic madness, the worshippers, among whom were his mother and his aunt, tore him in pieces. Pausanias, however, says that Pentheus really was a wicked prince; and he somewhat varies his story, as he tells us that having got into a tree to overlook the secret ceremonies of the orgies, Pentheus was discovered by the Bacchantes, who punished his curiosity by putting him to death. The story of the transformation of the mariners is supposed by Bochart to have been founded on the adventure of certain merchants from the coast of Etruria, whose vessel had the figure of a dolphin at the prow, or rather of the fish called ‘tursio,’ probably the porpoise, or sea-hog. They were probably shipwrecked near the Isle of Naxos, which was sacred to Bacchus, whose mysteries they had perhaps neglected, or even despised. On this slender ground, perhaps, the report spread, that the God himself had destroyed them, as a punishment for their impiety.

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topics: festivals, games, and spectacle · myth and the gods of the nations

The Metamorphoses of Ovid, Books I-VII · Ovid · 1 BCE–8