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Darkwater: Voices from Within the Veil

W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1920 (composed/assembled for publication; modern reprints derive from the 1920 text)

passage 38 of 114 · CHAPTER PAGE (37/113)

in brief
Du Bois explains how black labor migration north after the South’s appeals and repression intensified racial conflict, framing the situation as a modern economic paradox staged in the East St. Louis valley.

climbing out of perdition by their own efforts, despite the most contemptible opposition God ever saw,--they saw all this and what they saw the distraught employers of America saw, too.

The North called to the South. A scream of rage went up from the cotton monopolists and industrial barons of the new South. Who was this who dared to "interfere" with their labor? Who sought to own their black slaves but they? Who honored and loved "niggers" as they did?

They mobilized all the machinery of modern oppression: taxes, city ordinances, licenses, state laws, municipal regulations, wholesale police arrests and, of course, the peculiarly Southern method of the mob and the lyncher. They appealed frantically to the United States Government; they groveled on their knees and shed wild tears at the "suffering" of their poor, misguided black friends, and yet, despite this, the Northern employers simply had to offer two and three dollars a day and from one-quarter to one-half a million dark workers arose and poured themselves into the North. They went to the mines of West Virginia, because war needs coal; they went to the industries of New Jersey and Pennsylvania, because war needs ships and iron; they went to the automobiles of Detroit and the load-carrying of Chicago; and they went to East St. Louis.

Now there came fear in the hearts of the Unwise Men. It was not that their wages were lowered,--they went even higher. They received, not simply, a living wage, but a wage that paid for some of the decencies, and, in East St. Louis, many of the indecencies of life. What they feared was not deprivation of the things they were used to and the shadow of poverty, but rather the definite death of their rising dreams. But if fear was new-born in the hearts of the Unwise Men, the black man was born in a house of fear; to him poverty of the ugliest and straitest type was father, mother, and blood-brother. He was slipping stealthily northward to escape hunger and insult, the hand of oppression, and the shadow of death.

Here, then, in the wide valley which Father Marquette saw peaceful and golden, lazy with fruit and river, half-asleep beneath the nod of God,--here, then, was staged every element for human tragedy, every element of the modern economic paradox.


Ah! That hot, wide plain of East St. Louis is a gripping thing. The rivers are dirty with sweat and toil and lip, like lakes, along the low and burdened shores; flatboats ramble and thread among them, and above the steamers bridges swing on great arches of steel, striding with mighty grace from shore to shore. Everywhere are brick kennels,--tall, black and red chimneys, tongues of flame. The ground is littered with cars and iron, tracks and trucks, boxes and crates, metals and coal and rubber. Nature-defying cranes, grim elevators rise above pile on pile of black and grimy lumber. And ever below is the water,--wide and silent, gray-brown and yellow.

This is the stage for the tragedy: the armored might of the modern world urged by the bloody needs of the world wants, fevered today by a fabulous vision of gain and needing only hands, hands, hands! Fear of loss and greed of gain in the hearts of the giants; the clustered cunning of the modern workman, skilled as artificer and skilled in the rhythm of the habit of work, tasting the world's good and panting for more; fear of poverty and hate of "scabs" in the hearts of the workers; the dumb yearning in the hearts of the oppressed; the echo of laughter heard at the foot of the Pyramids; the faithful, plodding slouch of the laborers; fear of the Shadow of Death in the hearts of black men.

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topics: civil war and rebellion · fate, destiny, and necessity · labor, wages, and the division of work · rank, class, and social order

Darkwater: Voices from Within the Veil · W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1919–1920