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The Souls of Black Folk

W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1903 primary

passage 57 of 130 · (57/130)

in brief
Du Bois crosses Dougherty into Baker County and follows roads along county lines marked by fences or lack of them, framing the “unfenced” region as the visible core of the Negro problem.

the schoolhouse is a lodgehouse two stories high and not quite finished. Societies meet there,—societies “to care for the sick and bury the dead”; and these societies grow and flourish.

We had come to the boundaries of Dougherty, and were about to turn west along the county-line, when all these sights were pointed out to us by a kindly old man, black, white-haired, and seventy. Forty-five years he had lived here, and now supports himself and his old wife by the help of the steer tethered yonder and the charity of his black neighbors. He shows us the farm of the Hills just across the county line in Baker,—a widow and two strapping sons, who raised ten bales (one need not add “cotton” down here) last year. There are fences and pigs and cows, and the soft-voiced, velvet-skinned young Memnon, who sauntered half-bashfully over to greet the strangers, is proud of his home. We turn now to the west along the county line. Great dismantled trunks of pines tower above the green cottonfields, cracking their naked gnarled fingers toward the border of living forest beyond. There is little beauty in this region, only a sort of crude abandon that suggests power,—a naked grandeur, as it were. The houses are bare and straight; there are no hammocks or easy-chairs, and few flowers. So when, as here at Rawdon’s, one sees a vine clinging to a little porch, and home-like windows peeping over the fences, one takes a long breath. I think I never before quite realized the place of the Fence in civilization. This is the Land of the Unfenced, where crouch on either hand scores of ugly one-room cabins, cheerless and dirty. Here lies the Negro problem in its naked dirt and penury. And here are no fences. But now and then the crisscross rails or straight palings break into view, and then we know a touch of culture is near. Of course Harrison Gohagen,—a quiet yellow man, young, smooth-faced, and diligent,—of course he is lord of some hundred acres, and we expect to see a vision of well-kept rooms and fat beds and laughing children. For has he not fine fences? And those over yonder, why should they build fences on the rack-rented land? It will only increase their rent.

On we wind, through sand and pines and glimpses of old plantations, till there creeps into sight a cluster of buildings,—wood and brick, mills and houses, and scattered cabins. It seemed quite a village. As it came nearer and nearer, however, the aspect changed: the buildings were rotten, the bricks were falling out, the mills were silent, and the store was closed. Only in the cabins appeared now and then a bit of lazy life. I could imagine the place under some weird spell, and was half-minded to search out the princess. An old ragged black man, honest, simple, and improvident, told us the tale. The Wizard of the North—the Capitalist—had rushed down in the seventies to woo this coy dark soil. He bought a square mile or more, and for a time the field-hands sang, the gins groaned, and the mills buzzed. Then came a change. The agent’s son embezzled the funds and ran off with them. Then the agent himself disappeared. Finally the new agent stole even the books, and the company in wrath closed its business and its houses, refused to sell, and let houses and furniture and machinery rust and rot. So the Waters-Loring plantation was stilled by the spell of dishonesty, and stands like some gaunt rebuke to a scarred land.

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topics: geography and the description of places · justice as a virtue · rank, class, and social order

The Souls of Black Folk · W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1903