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Don Quixote

Miguel de Cervantes Saavedra · c. 1605–1615 primary

passage 385 of 841 · CHAPTER I WHICH TREATS OF THE CHARACTER AND > CHAPTER XLIII. (3/8)

in brief
Clara privately tells Dorothea the singer is a disguised nobleman from Aragon who fell in love with her through signs from his house, followed her as a muleteer, and sings as a scholar-poet to pursue her.

overhear her, winding her arms tightly round Dorothea put her mouth so close to her ear that she could speak without fear of being heard by anyone else, and said:

“This singer, dear señora, is the son of a gentleman of Aragon, lord of two villages, who lives opposite my father’s house at Madrid; and though my father had curtains to the windows of his house in winter, and lattice-work in summer, in some way—I know not how—this gentleman, who was pursuing his studies, saw me, whether in church or elsewhere, I cannot tell, and, in fact, fell in love with me, and gave me to know it from the windows of his house, with so many signs and tears that I was forced to believe him, and even to love him, without knowing what it was he wanted of me. One of the signs he used to make me was to link one hand in the other, to show me he wished to marry me; and though I should have been glad if that could be, being alone and motherless I knew not whom to open my mind to, and so I left it as it was, showing him no favour, except when my father, and his too, were from home, to raise the curtain or the lattice a little and let him see me plainly, at which he would show such delight that he seemed as if he were going mad. Meanwhile the time for my father’s departure arrived, which he became aware of, but not from me, for I had never been able to tell him of it. He fell sick, of grief I believe, and so the day we were going away I could not see him to take farewell of him, were it only with the eyes. But after we had been two days on the road, on entering the posada of a village a day’s journey from this, I saw him at the inn door in the dress of a muleteer, and so well disguised, that if I did not carry his image graven on my heart it would have been impossible for me to recognise him. But I knew him, and I was surprised, and glad; he watched me, unsuspected by my father, from whom he always hides himself when he crosses my path on the road, or in the posadas where we halt; and, as I know what he is, and reflect that for love of me he makes this journey on foot in all this hardship, I am ready to die of sorrow; and where he sets foot there I set my eyes. I know not with what object he has come; or how he could have got away from his father, who loves him beyond measure, having no other heir, and because he deserves it, as you will perceive when you see him. And moreover, I can tell you, all that he sings is out of his own head; for I have heard them say he is a great scholar and poet; and what is more, every time I see him or hear him sing I tremble all over, and am terrified lest my father should recognise him and come to know of our loves. I have never spoken a word to him in my life; and for all that I love him so that I could not live without him. This, dear señora, is all I have to tell you about the musician whose voice has delighted you so much; and from it alone you might easily perceive he is no muleteer, but a lord of hearts and towns, as I told you already.”

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topics: honor, shame, and reputation · rank, class, and social order · the passions and the emotions

Don Quixote · Miguel de Cervantes Saavedra · 1605–1615