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Dalmasi called lippo

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Often appears with: s. petronio madonna (1407) · m. galante da bologna · education and the training of the young · crafts, industry, and manufacture · books, libraries, and learning · bologna

Usually: record or table (1) · detachment (1)

Quotable
“And he taught the art to M. Galante da Bologna, who afterwards drew much better than he” Giorgio Vasari, Lives of the Most Eminent Painters Sculptors and Arc · insight
“And in truth one who spends his time in this manner, lives in quiet contemplation and without being molested by those ambitious desires” Giorgio Vasari, Lives of the Most Eminent Painters Sculptors and Arc · precept

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10) secondary

Giorgio Vasari · 1550s (2nd edition revised, with later additions); Volume II includes biographies of artists from Berna to Michelozzo
(26/35)

The text notes another Bologna painter also called Lippo (Dalmasi), lists specific works there from 1407, describes his teaching of M. Galante da Bologna, and continues into the next biography.

[Footnote 4: The Tribunal of commerce.] About the same time as Lippo there was in Bologna another painter, Dalmasi, also called Lippo, who was an able man, and who painted, among other works, in the year 1407 (as it may be seen in S. Petronio in Bologna), a Madonna which is held in great veneration; and in fresco, the arch over the door of S. Procolo; and in the Church of S. Francesco, in the tribune of the high-alt…