HKB
ARCHITECTURE, ART, AND SCIENCE.
That the Saxons possessed considerable skill in architecture before they took possession of England, we have already shown in our description of the Pagan temple, which was erected in their own country.[25] It is also on record, that the Christian missionaries sent over by Pope Gregory, converted the heathen temples, which they found already erected in our island, into churches, destroying only the idols they found therein; but whether these edifices were erected by the Britons or Romans, or by the Saxons themselves, it is difficult to decide. All we know for a certainty is, that the church in which Augustin and his monks were located on their arrival at Canterbury was called an ancient British temple, and was probably built by the first Christians who were converted by the Romans. The earliest churches which the Saxons erected after their conversion to Christianity were formed of wood, and covered with thatch; and even as late as the time of Chaucer, we find mention of the sacred edifices being roofed with the same substance. The celebrated cathedral of Lindisfarne could boast of no costlier material than sawn oak and a straw roof, until Eadbert, the seventh bishop, removed the thatch, and threw over the rafters a covering of lead. The minster of York, founded by Edwin, after his marriage with Edilburga, the daughter of Ethelbert, was built of stone; and as early as 669, we find mention of the windows being glazed. Prior to this period, the windows consisted of mere openings in the walls, through which the light was admitted; they were called eye-holes, and were protected by lattice-work, through which the birds flew in and out, and built inside the fabric; nor was there any other means of keeping out the rain and snow, excepting by lowering down the simple linen blinds. The few remains we possess of Saxon architecture display great strength and solidity without grace. The columns are low and massy, the arches round and heavy, seeming as if they formed a portion of the bulky pillars, instead of springing from them with that light and airy grace which is the great beauty of Gothic architecture. Their chief ornament in building appears to have been the zig-zag moulding which resembles sharks' teeth. The very word they used in describing this form of ornament also signified to gnaw or eat; and from the Saxon word fret, or teeth work, the common term of fret-work arose. Towards the close of the seventh century, the celebrated bishop Wilfrid, who had visited Rome, made great improvements in ecclesiastical architecture. He brought with him several eminent artists from Italy; and as he stood high in the favour of Oswy, king of the Deiri and Bernicia, he was enabled to reward his architects liberally. He restored the church which Paulinus founded at York. But the most celebrated edifice he raised, appears to have been the church at Hexham, of which the following description is given by Richard, who was the prior of Hexham, and who wrote while the building still existed about the close of the twelfth century:--"The foundations of this church," says prior Richard, "were laid deep in the earth for the crypts and oratories, and the passages leading to them, which were then with great exactness contrived and built under ground. The walls, which were of great length, and raised to an immense height, and divided into three several stories, or tiers, he supported by square and various other kinds of well-polished columns. Also, the walls, the capitals of the columns which supported them, and the arch of the sanctuary, he decorated with historical representations, imagery, and various figures in relief, carved in stone, and painted with a most agreeable variety of colours. The body of the church he compassed about with pentices and porticoes, which, both above and below, he divided, with great and inexpressible art, by partition walls and winding stairs. Within the staircases, and above them, he caused flights of steps and galleries of stone, and several passages leading from them, both ascending and descending, to be artfully disposed, that multitudes of people might be there, and go quite round the church, without being seen by any one below in the nave." Prior Richard goes on further to state, that he also caused several altars to be erected to the blessed saints. In 767, the church of St. Peter's at York having been either damaged or destroyed by fire, was rebuilt by archbishop Albert, assisted by the celebrated Alcuin. Here, also, we find mention of lofty arches, supported on columns, of vaultings, windows, porticoes, galleries, and altars, richly ornamented. What additions the genius of Alfred made to the architecture of the period we know not. We have, however, already shown that he set apart a great portion of his revenue to the building and repairing of churches. But he lived amid stormy times, when the strengthening of military fortresses was of more consequence to the welfare of his kingdom than the erection of costly edifices; and during the ravages of the Danes the fine arts appear not to have made any advance.