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The City of God, Volume I

Augustine (Aurelius Augustine), Saint of Hippo · composed 413–426; published/issued in installments during composition primary

passage 18 of 449 · BOOK I. > BOOK FIRST. (5/36)

in brief
He contrasts Juno’s temple sanctuary at Troy, which did not save Trojans, with the churches of the apostles at Rome, which barbarians used to restrain violence and preserve liberty.

treasure lay, Rich altars, bowls of massy gold, And captive raiment, rudely rolled In one promiscuous heap; While boys and matrons, wild with fear, In long array were standing near."[38]

In other words, the place consecrated to so great a goddess was chosen, not that from it none might be led out a captive, but that in it all the captives might be immured. Compare now this "asylum"--the asylum not of an ordinary god, not of one of the rank and file of gods, but of Jove's own sister and wife, the queen of all the gods--with the churches built in memory of the apostles. Into it were collected the spoils rescued from the blazing temples and snatched from the gods, not that they might be restored to the vanquished, but divided among the victors; while into these was carried back, with the most religious observance and respect, everything which belonged to them, even though found elsewhere. There liberty was lost; here preserved. There bondage was strict; here strictly excluded. Into that temple men were driven to become the chattels of their enemies, now lording it over them; into these churches men were led by their relenting foes, that they might be at liberty. In fine, the gentle[39] Greeks appropriated that temple of Juno to the purposes of their own avarice and pride; while these churches of Christ were chosen even by the savage barbarians as the fit scenes for humility and mercy. But perhaps, after all, the Greeks did in that victory of theirs spare the temples of those gods whom they worshipped in common with the Trojans, and did not dare to put to the sword or make captive the wretched and vanquished Trojans who fled thither; and perhaps Virgil, in the manner of poets, has depicted what never really happened? But there is no question that he depicted the usual custom of an enemy when sacking a city.

  1. Cæsar's statement regarding the universal custom of an enemy when sacking a city.

Even Cæsar himself gives us positive testimony regarding this custom; for, in his deliverance in the senate about the conspirators, he says (as Sallust, a historian of distinguished veracity, writes[40]) "that virgins and boys are violated, children torn from the embrace of their parents, matrons subjected to whatever should be the pleasure of the conquerors, temples and houses plundered, slaughter and burning rife; in fine, all things filled with arms, corpses, blood, and wailing." If he had not mentioned temples here, we might suppose that enemies were in the habit of sparing the dwellings of the gods. And the Roman temples were in danger of these disasters, not from foreign foes, but from Catiline and his associates, the most noble senators and citizens of Rome. But these, it may be said, were abandoned men, and the parricides of their fatherland.

  1. That not even the Romans, when they took cities, spared the conquered in their temples.
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topics: conquest, plunder, and captives · hospitality and the guest · religious persecution and toleration

The City of God, Volume I · Augustine (Aurelius Augustine), Saint of Hippo · 413–426