HKB
should be carried on, why did they not conduct thee with greater strictness, with greater seriousness? Why did they favor thy silly sports, instead of drawing thee away from them?"
"Dispute not with us!" cried a voice. "Thou art saved, thou art on the way to the goal. None of thy follies wilt thou repent; none wilt thou wish to repeat; no luckier destiny can be allotted to a man." The curtain went asunder, and in full armor stood the old king of Denmark in the space. "I am thy father's spirit," said the figure; "and I depart in comfort since my wishes for thee are accomplished, in a higher sense than I myself contemplated. Steep regions cannot be surmounted save by winding paths: on the plain, straight roads conduct from place to place. Farewell, and think of me when thou enjoyest what I have provided for thee."
Wilhelm was exceedingly amazed and struck: he thought it was his father's voice; and yet in truth it was not: the present and the past alike confounded and perplexed him.
He had not meditated long when the abbé came to view, and placed himself behind the green table. "Come hither!" cried he to his marvelling friend. He went, and mounted up the steps. On the green cloth lay a little roll. "Here is your indenture," said the abbé: "take it to heart; it is of weighty import." Wilhelm lifted, opened it, and read:--
INDENTURE.
Art is long, life short, judgment difficult, opportunity transient. To act is easy, to think is hard; to act according to our thought is troublesome. Every beginning is cheerful: the threshold is the place of expectation. The boy stands astonished, his impressions guide him: he learns sportfully, seriousness comes on him by surprise. Imitation is born with us: what should be imitated is not easy to discover. The excellent is rarely found, more rarely valued. The height charms us, the steps to it do not: with the summit in our eye, we love to walk along the plain. It is but a part of art that can be taught: the artist needs it all. Who knows it half, speaks much, and is always wrong: who knows it wholly, inclines to act, and speaks seldom or late. The former have no secrets and no force: the instruction they can give is like baked bread, savory and satisfying for a single day; but flour cannot be sown, and seed-corn ought not to be ground. Words are good, but they are not the best. The best is not to be explained by words. The spirit in which we act is the highest matter. Action can be understood and again represented by the spirit alone. No one knows what he is doing while he acts aright, but of what is wrong we are always conscious. Whoever works with symbols only is a pedant, a hypocrite, or a bungler. There are many such, and they like to be together. Their babbling detains the scholar: their obstinate mediocrity vexes even the best. The instruction which the true artist gives us opens the mind; for, where words fail him, deeds speak. The true scholar learns from the known to unfold the unknown, and approaches more and more to being a master.
"Enough!" cried the abbé: "the rest in due time. Now look round you among these cases."
Wilhelm went, and read the titles of the rolls. With astonishment he found, "Lothario's Apprenticeship," "Jarno's Apprenticeship," and his own Apprenticeship placed there, with many others whose names he did not know.
"May I hope to cast a look into these rolls?"
"In this chamber there is now nothing hid from you."
"May I put a question?"
"Without scruple; and you may expect a positive reply, if it concerns a matter which is nearest your heart, and ought to be so."
"Good, then! Ye marvellous sages, whose sight has pierced so many secrets, can you tell me whether Felix is in truth my son?"