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The Dramatic Works of G. E. Lessing

Gotthold Ephraim Lessing (trans. R. Dillon Boylan and others, ed. Ernest Bell; memoir by Helen Zimmern) · 1755-1779 primary

passage 60 of 202 · ACT I. > Scene VIII. (5/5)

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SARA (rising angrily).

This is too much! Is that the language of a relative of Mellefont's? How shamefully you are betrayed, Mellefont! Now I perceive, Madam, why he was so unwilling to leave you alone with me. He knows already, I daresay, how much one has to fear from your tongue. A poisoned tongue! I speak boldly--for your unseemly talk has continued long enough. How has Marwood been able to enlist such a mediator; a mediator who summons all her ingenuity to force upon me a dazzling romance about her; und employs every art to rouse my suspicion against the loyalty of a man, who is a man but not a monster? Was it only for this that I was told that Marwood boasted of a daughter from him; only for this that I was told of this and that forsaken girl--in order that you might be enabled to hint to me in cruel fashion that I should do well if I gave place to a hardened strumpet!

MARWOOD.

Not so passionate, if you please, young lady! A hardened strumpet? You are surely using words whose full meaning you have not considered.

SARA.

Does she not appear such, even from Lady Solmes's description? Well, Madam, you are her friend, perhaps her intimate friend. I do not say this as a reproach, for it may well be that it is hardly possible in this world to have virtuous friends only. Yet why should I be so humiliated for the sake of this friendship of yours? If I had had Marwood's experience, I should certainly not have committed the error which places me on such a humiliating level with her. But if I had committed it, I should certainly not have continued in it for ten years. It is one thing to fall into vice from ignorance; and another to grow intimate with it when you know it. Alas, Madam, if you knew what regret, what remorse, what anxiety my error has cost me! My error, I say, for why shall I be so cruel to myself any longer, and look upon it as a crime? Heaven itself ceases to consider it such; it withdraws my punishment, and gives me back my father.--But I am frightened, Madam; how your features are suddenly transformed! They glow-rage speaks from the fixed eye, and the quivering movement of the mouth. Ah, if I have vexed you, Madam, I beg for pardon! I am a foolish, sensitive creature; what you have said was doubtless not meant so badly. Forget my rashness! How can I pacify you? How can I also gain a friend in you as Marwood has done? Let me, let me entreat you on my knees (falling down upon her knees) for your friendship, and if I cannot have this, at least for the justice not to place me and Marwood in one and the same rank.

MARWOOD (proudly stepping back and leaving Sara on her knees).

This position of Sara Sampson is too charming for Marwood to triumph in it unrecognised. In me, Miss Sampson, behold the Marwood with whom on your knees you beg--Marwood herself--not to compare you.

SARA (springing up and drawing back in terror).

You Marwood? Ha! Now I recognise her--now I recognise the murderous deliverer, to whose dagger a warning dream exposed me. It is she! Away, unhappy Sara! Save me, Mellefont; save your beloved! And thou, sweet voice of my beloved father, call! Where does it call? Whither shall I hasten to it?--here?--there?--Help, Mellefont! Help, Betty! Now she approaches me with murderous hand! Help! (Exit.)

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The Dramatic Works of G. E. Lessing · Gotthold Ephraim Lessing (trans. R. Dillon Boylan and others, ed. Ernest Bell; memoir by Helen Zimmern) · 1755–1779