HKB
the truth of the Scriptures, has not the advantage of being inspired with faith in the Catholic doctrine; he therefore will continue his researches in the same manner as before.
Many legends originated from misunderstanding the emblematic character of some pictures. Thus the celebrated Spanish lady saint and authoress, St Theresa, was, on account of her eloquent and impassioned effusions of love addressed to the Deity, painted by a Spanish artist having her heart pierced with an arrow, in allusion to the words of the Psalmist, “For thine arrows stick fast in me,” &c.—(Ps. xxxviii. 2.) She died quietly in her convent towards the end of the sixteenth century, and though the particulars of her life and death are generally known, there were some legend writers who related that she died a martyr, pierced by an arrow. If such confusion of ideas could happen in a time when literature and science had made considerable progress, and when the art of printing was already universally known, how much more frequently such things must have occurred during the prevailing ignorance of the middle ages! And, indeed, there are many wild legends which have originated from a similar source, and of which the most celebrated is that of St Denis, which has been also related of other saints. This martyr, supposed to have been beheaded, was represented holding his head in his hand, as an emblem of the manner of his death. The writer of his legend took this emblem for the representation of a real fact, and loosening the reins of his imagination, related that the saint, after having been beheaded, took up his head, kissed it, and walked away with it.(80)
It is a general tendency of a gross and unenlightened mind to materialise the most abstract and spiritual ideas, and then what is simply an allegory becomes with him a reality. It was this tendency which, during the mediæval ignorance, gave often a literal sense to what is only typical, and it was carried so far that even the parables of our Lord were constructed into real stories. Thus, Lazarus was a poor saint who lived in great want, and was made after his death the patron of beggars and lepers. The parable of the prodigal son has furnished materials for many a legend; and to crown all these pious parodies, a monk has shown to the well-known Eastern traveller Hasselquist, the very spot upon which the good Samaritan assisted the wounded man, who had been left unheeded by the priest and the Levite. Future rewards and punishments, heaven and hell, were also represented in a grossly material manner, that gave rise to many absurd legends, generally invented with the object of supporting the pretensions of the church, to have the power of sending at pleasure the souls of the departed to either of these places.(81)