HKB
these practices are condemned by Charlemagne, as so many acts of worship offered to a created being. He addresses the defenders of the worship of images in the following manner:—
“You who establish the purity of your faith upon images, go, if you like, and fall upon your knees and burn incense before them; but with regard to ourselves we shall seek the precepts of God in his Holy Writ. Light luminaries before your pictures, whilst we shall read the Scriptures. Venerate, if you like, colours; but we shall worship divine mysteries. Enjoy the agreeable sight of your pictures; but we shall find our delight in the Word of God. _Seek after figures which cannot either see, or hear, or _* taste*; but we shall diligently seek after the law of God, which is irreprehensible.” He further says:—“I see images which have such inscriptions, as for instance St Paul, and I ask, therefore, those who are involved in this great error, why they do call images holy (sanctus), and why they do not say, conformably to the tradition of the fathers, that these are images of the saints? Let them say in what consists the sanctity of the images? Is it in the wood which had been brought from a forest in order to make them? Is it in the colours with which they are painted, and which are often composed of impure substances? Is it in the wax, which gets dirty?” He taunts the worshippers of images, pointing out an abuse which even now is as inevitable as it was then. “If,” says he, “two pictures perfectly alike, but of which one is meant for the Virgin and the other for Venus, are presented to you, you will inquire which of them is the image of the Virgin and which is that of Venus, because you cannot distinguish them. The painter will call one of these pictures the image of the Virgin, and it will be immediately put up in a high place, honoured, and kissed; whilst the other, representing Venus, will be thrown away with horror. These two pictures are, however, made by the same hand, with the same brush, with the same colours; they have the same features, and the whole difference between them lies in their inscriptions. Why is the one received and the other rejected? It is not on account of the sanctity which one of them has, and the other has not; it is, then, on account of its inscription; and yet certain letters attached to a picture cannot give it a sanctity which it otherwise had not.”
This work was published for the first time in 1549, by Tillet, Roman Catholic bishop of Meaux in France, though under an assumed name, and it has been reprinted several times. Its authenticity, which had been at first impugned by some Roman Catholic writers, was finally established beyond every dispute, and acknowledged by the most eminent writers of the Roman Catholic Church, such as Mabillon, Sirmond, &c. It is a very remarkable production, for it most positively rejects every kind of worship offered to images, without making any difference between Latria and Dulia, and I think that its republication might be of considerable service at the present time.(68)
The Pope sent a long letter in answer to the protest of Charlemagne, which did not, however, satisfy that monarch, because he convened in 794 a council at Frankfort, at which he presided himself. This synod, composed of three hundred bishops of France, Germany, and Spain, and at which two legates of the Pope were present, condemned the enactment of the second Council of Nice respecting the worship of images.
This decree of the Council of Frankfort is very important, because it not only condemned the worship of images, but it virtually rejected the infallibility of the Popes, as well as of the General Councils, since it condemned what they had established.
The opposition to the worship of images continued amongst the Western churches for some time after the death of Charlemagne. Thus an assembly of the French clergy, held at Paris in 825, condemned the decree of the second Council of Nice as decidedly as it was done by the work of Charlemagne and the Council of Frankfort. Claudius, bishop of Turin, who lived about that time, opposed the worship of images, which he removed from his churches, calling those idolaters who adhered to this practice; he also condemned the adoration of relics, of the figure of the cross, &c.; and he was not inaptly called, on this account, by the Jesuit historian Maimbourg, the first Protestant minister.
There are other traces of a similar opposition during the ninth century, but it seems to have entirely disappeared in the tenth, and it was again renewed by the Albigenses in the eleventh century. Their history, however, is foreign to the object of the present essay; and I shall endeavour to give in my next chapter a short sketch of the legends of the saints, composed during the middle ages.