HKB
worship of images; and the machinations by which she accomplished this object have been so well related by Gibbon, that I cannot do better than copy his account of them:—
“Under the reign of Constantine VIII., the union of the civil and ecclesiastical power had overthrown the tree, without extirpating the root of superstition. The idols, for such they were now held, were secretly cherished by the order and the sex most prone to devotion; and the fond alliance of the monks and females obtained a final victory over the reason and authority of man. Leo IV. maintained with less rigour the religion of his father and grandfather, but his wife, the fair and ambitious Irene, had imbibed the zeal of the Athenians,(58) the heirs of the idolatry rather than philosophy of their ancestors. During the life of her husband, these sentiments were inflamed by danger and dissimulation, and she could only labour to protect and promote some favourite monks, whom she drew from their caverns, and seated on the metropolitan thrones of the east. But as soon as she reigned in her own name, and in that of her son, Irene more seriously undertook the ruin of the iconoclasts, and the first step of her future persecution was a general edict for liberty of conscience. In the restoration of the monks, a thousand images were exposed to the public veneration; a thousand legends were invented of their sufferings and miracles. By the opportunities of death and removal, the episcopal seats were judiciously filled; the most eager competitors for celestial or earthly favour anticipated and flattered the judgment of their sovereign; and the promotion of her secretary Tarasius gave Irene the patriarch of Constantinople, and the command of the Oriental church. But the decrees of a general council could only be repealed by a similar assembly; the iconoclasts, whom she convened, were bold in possession, and averse to debate; and the feeble voice of the bishops was re-echoed by the more formidable clamour of the soldiers and the people of Constantinople. The delay and intrigues of a year, the separation of the disaffected troops, and the choice of Nice for a second orthodox synod, removed these obstacles; and the episcopal conscience was again, after the Greek fashion, in the hands of the prince.”—Gibbon’s Roman Empire, chap. xlix. This council, held in 786, restored the worship of images by the unanimous sentence of three hundred and fifty bishops. The acts of this synod have been preserved, and they are stated by Gibbon to be “a curious monument of superstition and ignorance, of falsehood and folly.” I am afraid that there is but too much truth in this severe judgment of Gibbon; and the following passage relating to the same council, which I have extracted, not from Gibbon, or any writer of the school to which he belonged, but from the celebrated Roman Catholic historian of the church, Abbé Fleury, will enable the reader to form his own judgment on this subject.
After describing the confession of faith signed by that council, which declared that the images of the saints are to be worshipped, because they remind us of those whom they represent, and make us participators in their merits, he says:—