HKB
as created and not co-essential with God the Father, employed the following argument to combat this dogma:—“If you consider Jesus Christ a created being, you commit idolatry by worshipping him.”
Admiration is, however, akin to adoration, and it was no wonder that those whose memory was constantly praised, and frequently in the most exaggerated terms, gradually began to be considered as something more than simple mortals, and treated accordingly. It was also very natural that various objects which had belonged to the martyrs were carefully preserved as interesting mementoes, since it is continually done with persons who have acquired some kind of celebrity, and that this should be the case with their bodies, which have often been embalmed. It is, however, impossible, as Calvin has justly observed,(5) to preserve such objects without honouring them in a certain manner, and this must soon degenerate into adoration. This was the origin of the worship of relics, which went on increasing in the same ratio as the purity of Christian doctrines was giving way to the superstitions of Paganism.
The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons.
It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.(6) Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.(7) Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.
There was also another cause which seems to have greatly contributed to the propagation of the abovementioned anthropomorphism amongst the Christians, namely, the contemplative life of the hermits, particularly of those who inhabited the burning deserts of Egypt. It has been observed of these monks, by Zimmerman, in his celebrated work on Solitude, that “men of extraordinary characters, and actuated by strange and uncommon passions, have shrunk from the pleasures of the world into joyless gloom and desolation. In savage and dreary deserts they have lived a solitary and destitute life, subjecting themselves to voluntary self-denials and mortifications almost incredible; sometimes exposed in nakedness to the chilling blasts of the winter cold, or the scorching breath of summer’s heat, till their brains, distempered by the joint operation of tortured senses and overstrained imagination, swarmed with the wildest and most frantic visions.”(8) The same writer relates, on the authority of Sulpicius Severus, that an individual had been roving about Mount Sinai nearly during fifty years, entirely naked, and avoiding all intercourse with men. Once, however, being inquired about the motives of his strange conduct, he answered, that, “enjoying as he did the society of seraphim and cherubim, he felt aversion to intercourse with men.”(9)