HKB
the statecraft for which Italians found opportunity beyond the Alps, since in Italy it was denied them; and Titian found even Venice too narrow for the scope of his art.
But before Titian, before Raphael, before Michelangelo, Leonardo reflected the rationalism and the mystery, the subtlety and the philosophical speculation, of the age. To find in his work only the individual thought of genius would be to mistake, perhaps, its most important side; for the expression of his mind, both by its brilliancy and its limitations, is typical of the spirit of his time. The Italian Renaissance was reflected in him as rarely a period has been expressed in the life-work of a single man. He represented its union of practice and theory, of thought placed in the {xxv} service of action. He summed up its different aspects in his own individuality. Intellectually, he represented its many-sidedness attained through penetration of thought, and a keenness of observation, profiting from experience, extended into every sphere. As an artist he possessed a vigour of imagination from which sprang his power of creating beauty. But, in spite of his practical nature, he remained a dreamer in an age which had in it more of stern reality than of golden dreams. His very limitations, his excess of individualism, his want of long-continued concentration, his lack of patriotism, his feeling of the superiority of art to nationality, are all characteristic of Renaissance Italy.
The union in Leonardo of reality to mystery has often been shared by genius in other fields. His own peculiar greatness sprang from expressing in art the apparent contradiction of attaining the world of mystery through force of reality. Like Hamlet, it was the union of the real with the unreal which appealed to him, of the world as he saw it and the world as he imagined it to be. It was but another expression of the eternal ideal of truth and beauty.
L. E.
American Embassy London, 1906
{3}
I
THOUGHTS ON LIFE
[Sidenote: Of the Works of Leonardo]
Begun at Florence in the house of Piero di Braccio Martelli, on the 22d day of March, 1508; and this is to be a collection without order, taken from many papers which I have copied here, hoping to arrange them later, each in its place, according to the various subjects treated. And I think that before I shall have finished this work, it will be necessary for me to repeat the same thing many times over; so, O reader, blame me not, because the subjects are many, and memory cannot retain them and say: This I will not write because I have already written it; and if I did not wish to fall into this error it would be necessary, every time that I wished to copy something, in order not to repeat myself, to read over all the preceding matter, all the more so since the intervals are long between one time of writing and another.
[Sidenote: His Thirst after Knowledge]