HKB

← back

The Metamorphoses of Ovid, Books VIII-XV

Ovid · c. 8 CE–17/18 CE

passage 84 of 276 · Book “on the plan recommended by Mr. Locke,” was published in 1839, which had been already preceded by “a selection from the Metamorphoses of Ovid, adapted to the Hamiltonian system, by a literal and interlineal translation,” published by James Hamilton, the author of the Hamiltonian system. This work contains selections only from the first six books, and consequently embraces but a very small portion of the entire work. > BOOK THE TENTH. (5/31)

in brief
Orpheus, on Mount Rhodope, draws creatures and trees with music, bringing a grove to shade a bare hill; the passage links a new pine tree to the transformation of Attis.

by the charms of his music, attracts to himself all kinds of creatures, rocks, and trees; among the latter is the pine tree, only known since the transformation of Attis.

There was a hill, and upon the hill a most level space of a plain, which the blades of grass made green: {all} shade was wanting in the spot. After the bard, sprung from the Gods, had seated himself in this place, and touched his tuneful strings, a shade came over the spot. The tree of Chaonia[10] was not absent, nor the grove of the Heliades,[11] nor the mast-tree with its lofty branches, nor the tender lime-trees, nor yet the beech, and the virgin laurel,[12] and the brittle hazels, and the oak, adapted for making spears, and the fir without knots, and the holm bending beneath its acorns, and the genial plane-tree,[13] and the parti-coloured maple,[14] and, together with them, the willows growing by the rivers, and the watery lotus, and the evergreen box, and the slender tamarisks, and the two-coloured myrtle, and the tine-tree,[15] with its azure berries.

You, too, the ivy-trees, with your creeping tendrils, came, and together, the branching vines, and the elms clothed with vines; the ashes, too, and the pitch-trees, and the arbute, laden with its blushing fruit, and the bending palm,[16] the reward of the conqueror; the pine, too, with its tufted foliage,[17] and bristling at the top, pleasing to the Mother of the Gods; since for this the Cybeleïan Attis put off the human form, and hardened into that trunk.

[Footnote 10: Tree of Chaonia.--Ver. 90. This was the oak, for the growth of which Chaonia, a province of Epirus, was famous.]

[Footnote 11: Grove of the Heliades.--Ver. 91. He alludes to the poplars, into which tree, as we have already seen, the Heliades, or daughters of the sun, were changed after the death of Phaëton.]

[Footnote 12: Virgin laurel.--Ver. 92. The laurel is so styled from the Virgin Daphne, who refused to listen to the solicitations of Apollo.]

[Footnote 13: Genial plane-tree.--Ver. 95. The plane tree was much valued by the ancients, as affording, by its extending branches, a pleasant shade to festive parties. Virgil says, in the Fourth Book of the Georgics, line 146, ‘Atque ministrantem platanum potantibus umbram,’ ‘And the plane-tree that gives its shade for those that carouse.’]

[Footnote 14: Parti-coloured maple.--Ver. 95. The grain of the maple being of a varying colour, it was much valued by the ancients, for the purpose of making articles of furniture.]

[Footnote 15: The tine tree.--Ver. 98. The ‘tinus,’ or ‘tine tree,’ according to Pliny the Elder, was a wild laurel, with green berries.]

[Footnote 16: The bending palm.--Ver. 102. The branches of the palm were remarkable for their flexibility, while no superincumbent weight could break them. On this account they were considered as emblematical of victory.]

[Footnote 17: Tufted foliage.--Ver. 103. The pine is called ‘succincta,’ because it sends forth its branches from the top, and not from the sides.]

EXPLANATION.

← previous passage read in the full work → next passage →

topics: fate, destiny, and necessity · music and song · myth and the gods of the nations

The Metamorphoses of Ovid, Books VIII-XV · Ovid · 8–18