HKB

← back

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10)

Giorgio Vasari · 1550s (2nd edition revised, with later additions); Volume II includes biographies of artists from Berna to Michelozzo

passage 51 of 157 · Part, which with the aid of the blessed God we have brought to conclusion. (16/122)

in brief
After Florence is struck by the 1383 plague, the sculptor Niccolo goes home and completes a grey-stone facade for the Confraternity of S. Maria della Misericordia, carving a Madonna, angels, and saints.

side facing the Canon's house, stand one on either side of those that Donato afterwards made; and since nothing better in full-relief had been seen, they were held passing good.

Next, departing from Florence by reason of the plague of 1383, he went to his own country. There he found that by reason of the said plague the men of the Confraternity of S. Maria della Misericordia, whereof we have spoken above, had acquired great wealth by means of bequests made by diverse persons in the city through the devotion that they felt for that holy place and for its brethren, who attend to the sick and bury the dead in every pestilence, without fear of any peril; and that therefore they wished to make a facade for that place, but in grey-stone, for lack of a supply of marble. This work, which had been begun before in the German style, he undertook to do; and assisted by many stonecutters from Settignano, he brought it to perfect completion, making with his own hand, in the lunette of the facade, a Madonna with the Child in her arms, and certain angels who are holding open her mantle, under which the people of that city appear to be taking shelter, while S. Laurentino and S. Pergentino, kneeling below, are interceding for them. Next, in two niches at the sides, he made two statues, each three braccia high--namely, one of S. Gregory the Pope, and one of S. Donatus the Bishop, Protector of that city, with good grace and passing good manner. It appears that in his youth, before making these works, he had formerly made three large figures of terra-cotta which were placed over the door of the Vescovado, and which are now in great part eaten away by frost, as is also a S. Luke of grey-stone, made by the same man while he was a youth and placed in the facade of the said Vescovado. In the Pieve, likewise, in the Chapel of S. Biagio, he made a very beautiful figure of the said Saint in terra-cotta; and one of that Saint in the Church of S. Antonio, also in terra-cotta and in relief; and another Saint, seated, over the door of the hospital of the said city.

← previous passage read in the full work → next passage →

topics: custom and the manners of a people · plague, famine, and mass death

Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10) · Giorgio Vasari · 1547–1568