HKB
convenience, but he had not leave to do this from the Pope; and meanwhile, as it has been said above, he was driven out by the fury of the people.
Deservedly then did Andrea gain, by the honourable labours of so many years, not only very great rewards but also the citizenship; for he was made a citizen of Florence by the Signoria, and was given offices and magistracies in the city, and his works were esteemed both while he lived and after his death, there being found no one who could surpass him in working, until there came Niccolo Aretino, Jacopo della Quercia of Siena, Donatello, Filippo di Ser Brunellesco, and Lorenzo Ghiberti, who executed the sculptures and other works that they made in such a manner that people recognized in how great error they had lived up to that time; for these men recovered with their works that excellence which had been hidden and little known by men for many and many a year. The works of Andrea date about the year of our salvation 1340.
Andrea left many disciples; among others, Tommaso Pisano, architect and sculptor, who finished the Chapel of the Campo Santo and added the finishing touch to the Campanile of the Duomo--namely, that final part wherein are the bells. Tommaso is believed to have been the son of Andrea, this being found written in the panel of the high-altar of S. Francesco in Pisa, wherein there is, carved in half-relief, a Madonna, with other Saints made by him, and below these his name and that of his father.
Andrea was survived by Nino, his son, who applied himself to sculpture; and his first work was in S. Maria Novella, where he finished a Madonna in marble begun by his father, which is within the side door, beside the Chapel of the Minerbetti. Next, having gone to Pisa, he made in the Spina a half-length figure in marble of Our Lady, who is suckling an infant Jesus Christ wrapped in certain delicate draperies. For this Madonna an ornamental frame of marble was made in the year 1522, by the agency of Messer Jacopo Corbini, and another frame, much greater and more beautiful, was made then for another Madonna of marble, which was of full length and by the hand of the same Nino; in the attitude of which Madonna the mother is seen handing a rose with much grace to her Son, who is taking it in a childlike manner, so beautiful that it may be said that Nino was beginning to rob the stone of its hardness and to reduce it to the softness of flesh, giving it lustre by means of the highest polish. This figure is between a S. John and a S. Peter in marble, the head of the latter being a portrait of Andrea from the life. Besides this, for an altar in S. Caterina, also in Pisa, Nino made two statues of marble--that is, a Madonna, and an Angel who is bringing her the Annunciation, wrought, like his other works, with so great diligence that it can be said that they are the best that were made in those times. Below this Madonna receiving the Annunciation Nino carved these words on the base: ON THE FIRST DAY OF FEBRUARY, 1370; and below the Angel: THESE FIGURES NINO MADE, THE SON OF ANDREA PISANO. He also made other works in that city and in Naples, whereof it is not needful to make mention.
Andrea died at the age of seventy-five, in the year 1345, and was buried by Nino in S. Maria del Fiore, with this epitaph:
INGENTI ANDREAS JACET HIC PISANUS IN URNA, MARMORE QUI POTUIT SPIRANTES DUCERE VULTUS, ET SIMULACRA DEUM MEDIIS IMPONERE TEMPLIS EX AERE, EX AURO CANDENTI, ET PULCRO ELEPHANTO.
BUONAMICO BUFFALMACCO
LIFE OF BUONAMICO BUFFALMACCO,
PAINTER OF FLORENCE