his friends Lælius and Scipio had published their own compositions under his name. Servilius is also mentioned by Eugraphius as another of his patrons respecting whom similar stories were circulated.]
[Footnote 19: As he ran alone in the street)--Ver. 31. He probably does not intend to censure this practice entirely in Comedy, but to remind the Audience that in some recent Play of Luscus Lavinius this had been the sole stirring incident introduced. Plautus introduces Mercury running in the guise of Sosia, in the fourth Scene of the Amphitryon, l. 987, and exclaiming, “For surely, why, faith, should I, a God, be any less allowed to threaten the public, if it doesn’t get out of my way, than a slave in the Comedies?” This practice can not, however, be intended to be here censured by Plautus, as he is guilty of it in three other instances. In the Mercator, Acanthio runs to his master Charinus, to tell him that his mistress Pasicompsa has been seen in the ship by his father Demipho; in the Stichus, Pinacium, a slave, runs to inform his mistress Philumena that her husband has arrived in port, on his return from Asia; and in the Mostellaria, Tranio, in haste, brings information of the unexpected arrival of Theuropides. The “currens servus” is also mentioned in the Prologue to the Andria, l. 36. See the soliloquy of Stasimus, in the Trinummus of Plautus, l. 1007.]
[Footnote 20: A quiet Play)--Ver. 36. “Statariam.” See the spurious Prologue to the Bacchides of Plautus, l. 10, and the Note to the passage in Bohn’s Translation. The Comedy of the Romans was either “stataria”, “motoria”, or “mixta”. “Stataria” was a Comedy which was calm and peaceable, such as the Cistellaria of Plautus; “motoria” was one full of action and disturbance, like his Amphitryon; while the “Comœdia mixta” was a mixture of both, such as the Eunuchus of Terence.]
[Footnote 21: What in each character)--Ver. 47. “In utramque partem ingenium quid possit meum.” This line is entirely omitted in Vollbehr’s edition; but it appears to be merely a typographical error.]
[Footnote 22: How little work is done here)--Ver. 72. Vollbehr thinks that his meaning is, that he is quite vexed to see so little progress made, in spite of his neighbor’s continual vexation and turmoil, and that, as he says in the next line, he is of opinion that if he were to cease working himself, and were to overlook his servants, he would get far more done. It is more generally thought to be an objection which Chremes suggests that Menedemus may possibly make.]