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Unwritten Literature of Hawaii: The Sacred Songs of the Hula

Nathaniel Bright Emerson · 1909

passage 116 of 186 · section of the wall that stood over against Kahiki they > part of the performance is the exact counterpart of that of (19/19)

to belong rather to the domain of oratory than [Page 181] to that of dramatic or stage expression, by which is meant expression fitted for the purposes of the halau.

To begin with a general proposition, the attitude of the feet and legs must be sympathetic with that of the other parts of the body. When standing squarely on both feet and looking directly forward, the action may be called noncommittal, general; but if the address is specialized and directed to a

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Unwritten Literature of Hawaii: The Sacred Songs of the Hula · Nathaniel Bright Emerson · 1906–1909