HKB
RAGNAROK. The word is found written in two ways, Ragnarok and ragnarökr. Ragna is genitive plural, from the word regin (god), and means of the gods. Rok means reason, ground, origin, a wonder, sign, marvel. It is allied to the O.H.G. rahha = sentence, judgment. Ragnarök would then mean the history of the gods, and applied to the dissolution of the world, might be translated the last judgment, doomsday, weird of gods and the world*. Rokr means *twilight, and Ragnarokr, as the Younger Edda has it, thus means the twilight of the gods, and the latter is adopted by nearly all modern writers, although Gudbr. Vigfusson declares that Ragnarok (doomsday) is no doubt the correct form. And this is also to be said in favor of doomsday, that Ragnarok does not involve only the twilight, but the whole night of the gods and the world.
This chapter of Skaldskaparmal contains much valuable material for a correct understanding of the Nibelungen-Lied, especially as to the origin of the Niblung hoard, and the true character of Brynhild. The material given here, and in the Icelandic Volsunga Saga, has been used by Wm. Morris in his Sigurd the Volsung and the Fall of the Niblungs. In the Nibelungen-Lied, as transposed by Auber Forestier, in Echoes from Mist-Land, we have a perfect gem of literature from the middle high German period, but its author had lost sight of the divine and mythical origin of the material that he wove into his poem. It is only by combining the German Nibelungen-Lied with the mythical materials found in Norseland that our national Teutonic epic can be restored to us. Wagner has done this for us in his famous drama; Jordan has done it in his Sigfrid’s saga; Morris has done it in the work mentioned above; but will not Auber Forestier gather up all the scattered fragments relating to Sigurd and Brynhild, and weave them together into a prose narrative, that shall delight the young and the old of this great land?
We are glad to welcome at this time a new book in the field of Niblung literature. We refer to Geibel’s Brunhild, translated, with introduction and notes, by Prof. G. Theo. Dippold, and recently published in Boston.
MENJA AND FENJA.
This is usually called the peace of Frode, which corresponds to the golden age in the life of the asas. Avarice is the root of crime, and all other evils. Avarice is at the bottom of all the endless woes of the Niblung story. The myth explaining why the sea is salt is told in a variety of forms in different countries. In Germany there are several folk-lore stories and traditions in regard to it. In Norway, where folk-lore tales are so abundant, we find the myth about Menja and Fenja recurring in the following form:
WHY THE SEA IS SALT.
Long, long ago there were two brothers, the one was rich and the other was poor. On Christmas eve the poor one had not a morsel of bread or meat in his house, and so he went to his brother and asked him for mercy’s sake to give him something for Christmas. It was not the first time the brother had had to give him, and he was not very much pleased to see him this time either.
“If you will do what I ask of you, I will give you a whole ham of pork,” said he.
The poor man promised immediately, and was very thankful besides.
“There you have it, now go to hell,” said the rich one, and threw the ham at him.
“What I have promised, I suppose, I must keep,” said the other. He took the ham and started. He walked and walked the whole day, and at twilight he came to a place where everything looked so bright and splendid.
“This must be the place,” thought the man with the ham.
Out in the wood-shed stood an old man with a long white beard, cutting wood for Christmas.
“Good evening,” said the man with the ham.