Add to this, that many of those ideas are PRODUCED IN US WITH PAIN, which afterwards we remember without the least offence. Thus, the pain of heat or cold, when the idea of it is revived in our minds, gives us no disturbance; which, when felt, was very troublesome; and is again, when actually repeated: which is occasioned by the disorder the external object causes in our bodies when applied to them: and we remember the pains of hunger, thirst, or the headache, without any pain at all; which would either never disturb us, or else constantly do it, as often as we thought of it, were there nothing more but ideas floating in our minds, and appearances entertaining our fancies, without the real existence of things affecting us from abroad. The same may be said of PLEASURE, accompanying several actual sensations. And though mathematical demonstration depends not upon sense, yet the examining them by diagrams gives great credit to the evidence of our sight, and seems to give it a certainty approaching to that of demonstration itself. For, it would be very strange, that a man should allow it for an undeniable truth, that two angles of a figure, which he measures by lines and angles of a diagram, should be bigger one than the other, and yet doubt of the existence of those lines and angles, which by looking on he makes use of to measure that by.
Our SENSES in many cases BEAR WITNESS TO THE TRUTH OF EACH OTHER'S REPORT, concerning the existence of sensible things without us. He that SEES a fire, may, if he doubt whether it be anything more than a bare fancy, FEEL it too; and be convinced, by putting his hand in it. Which certainly could never be put into such exquisite pain by a bare idea or phantom, unless that the pain be a fancy too: which yet he cannot, when the burn is well, by raising the idea of it, bring upon himself again.
Thus I see, whilst I write this, I can change the appearance of the paper; and by designing the letters, tell BEFOREHAND what new idea it shall exhibit the very next moment, by barely drawing my pen over it: which will neither appear (let me fancy as much as I will) if my hands stand still; or though I move my pen, if my eyes be shut: nor, when those characters are once made on the paper, can I choose afterwards but see them as they are; that is, have the ideas of such letters as I have made. Whence it is manifest, that they are not barely the sport and play of my own imagination, when I find that the characters that were made at the pleasure of my own thoughts, do not obey them; nor yet cease to be, whenever I shall fancy it, but continue to affect my senses constantly and regularly, according to the figures I made them. To which if we will add, that the sight of those shall from another man, draw such sounds as I beforehand design they shall stand for, there will be little reason left to doubt that those words I write do really exist without me, when they cause a long series of regular sounds to affect my ears, which could not be the effect of my imagination, nor could my memory retain them in that order.