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The Souls of Black Folk

W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1903 primary

passage 124 of 130 · (124/130)

in brief
Du Bois begins a chapter on the Sorrow Songs, quoting a churchyard hymn and explaining that slave spirituals echo the soul of enslaved Black people and shaped his understanding from childhood.

He looked out where the North Star glistened pale above the waters, and said, “Yes, mammy, I’m going—North.”

Then, without another word, he went out into the narrow lane, up by the straight pines, to the same winding path, and seated himself on the great black stump, looking at the blood where the body had lain. Yonder in the gray past he had played with that dead boy, romping together under the solemn trees. The night deepened; he thought of the boys at Johnstown. He wondered how Brown had turned out, and Carey? And Jones,—Jones? Why, he was Jones, and he wondered what they would all say when they knew, when they knew, in that great long dining-room with its hundreds of merry eyes. Then as the sheen of the starlight stole over him, he thought of the gilded ceiling of that vast concert hall, heard stealing toward him the faint sweet music of the swan. Hark! was it music, or the hurry and shouting of men? Yes, surely! Clear and high the faint sweet melody rose and fluttered like a living thing, so that the very earth trembled as with the tramp of horses and murmur of angry men.

He leaned back and smiled toward the sea, whence rose the strange melody, away from the dark shadows where lay the noise of horses galloping, galloping on. With an effort he roused himself, bent forward, and looked steadily down the pathway, softly humming the “Song of the Bride,”—

“Freudig geführt, ziehet dahin.”

Amid the trees in the dim morning twilight he watched their shadows dancing and heard their horses thundering toward him, until at last they came sweeping like a storm, and he saw in front that haggard white-haired man, whose eyes flashed red with fury. Oh, how he pitied him,—pitied him,—and wondered if he had the coiling twisted rope. Then, as the storm burst round him, he rose slowly to his feet and turned his closed eyes toward the Sea.

And the world whistled in his ears.

XIV. Of the Sorrow Songs

I walk through the churchyard To lay this body down; I know moon-rise, I know star-rise; I walk in the moonlight, I walk in the starlight; I’ll lie in the grave and stretch out my arms, I’ll go to judgment in the evening of the day, And my soul and thy soul shall meet that day, When I lay this body down.

NEGRO SONG.

They that walked in darkness sang songs in the olden days—Sorrow Songs—for they were weary at heart. And so before each thought that I have written in this book I have set a phrase, a haunting echo of these weird old songs in which the soul of the black slave spoke to men. Ever since I was a child these songs have stirred me strangely. They came out of the South unknown to me, one by one, and yet at once I knew them as of me and of mine. Then in after years when I came to Nashville I saw the great temple builded of these songs towering over the pale city. To me Jubilee Hall seemed ever made of the songs themselves, and its bricks were red with the blood and dust of toil. Out of them rose for me morning, noon, and night, bursts of wonderful melody, full of the voices of my brothers and sisters, full of the voices of the past.

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topics: mourning and grief · music and song · religious persecution and toleration

The Souls of Black Folk · W. E. B. Du Bois (William Edward Burghardt Du Bois) · 1903