then retired for a quarter of an hour's refreshment--the people singing all the while--returned to his pulpit, prayed for another hour, preached for another hour, and finished at four P.M."
At the Restoration the pendulum swung back again. From the strained morality of the Puritans there was a sudden leap to the most extravagant license and the grossest immorality, with the king and the court in the van. The theaters were thrown wide open, women for the first time went upon the stage, and they acted in plays whose moral tone is so low that they cannot now be presented on the stage or read in the drawing-room. Of course they voiced the social conditions of the time. Marriage ties were lightly regarded; no gallant but boasted his amours. Revelry ran riot; drunkenness became a habit and gambling a craze. The court scintillated with brilliant wits, conscienceless libertines, and scoffing atheists. It was an age of debauchery and disbelief.
The splendor of this life sometimes dazzles, the lack of conveniences appalls. The post left London once a week. A journey to the country must be made in your own lumbering carriage, or on the snail-slow stagecoach over miserable roads, beset with highwaymen. The narrow, ill-lighted streets, even of London, could not be traversed safely at night; and ladies, borne to routs and levees in their sedan chairs, were lighted by link-boys, and were carried by stalwart, broad-shouldered bearers who could wield well the staves in a street fight. Such were the conditions of life and society which Dryden found in the last fifty years of the seventeenth century.
Strong as were the contrasts in politics and manners during Dryden's lifetime, they were paralleled by contrasts in literature no less marked. Dryden was born in 1631; he died in 1700. In the year of his birth died John Donne, the father of the Metaphysical bards, or Marinists; in the year of his death was born James Thomson, who was to give the first real start to the Romantic movement; while between these two dates lies the period devoted to the development of French Classicism in English literature.
At Dryden's birth Ben Jonson was the only one of the great Elizabethan dramatists still living, and of the lesser stars in the same galaxy, Chapman, Massinger, Ford, Webster, and Heywood all died during his boyhood and youth, while Shirley, the last of his line, lingered till 1667. Of the older writers in prose, Selden alone remained; but as Dryden grew to manhood, he had at hand, fresh from the printers, the whole wealth of Commonwealth prose, still somewhat clumsy with Latinism or tainted with Euphuism, but working steadily toward that simple strength and graceful fluency with which he was himself to mark the beginning of modern English prose.
Clarendon, with his magnificently involved style, began his famous History of the Great Rebellion in 1641. Ten years later Hobbes published the Leviathan, a sketch of an ideal commonwealth. Baxter, with his Saints' Everlasting Rest sent a book of religious consolation into every household. In 1642 Dr. Thomas Browne, with the simplicity of a child and a quaintness that fascinates, published his Religio Medici; and in 1653 dear old simple-hearted Isaak Walton told us in his Compleat Angler how to catch, dress, and cook fish. Thomas Fuller, born a score or more of years before Dryden, in the same town, Aldwinkle, published in 1642 his Holy and Profane State, a collection of brief and brisk character sketches, which come nearer modern prose than anything of that time; while for inspired thought and purity of diction the Holy Living, 1650, and the Holy Dying, 1651, of Jeremy Taylor, a gifted young divine, rank preëminent in the prose of the Commonwealth.