HKB
the ice of a frozen sea (as Mr. Prestwich has hinted), for the winters of the period of the higher-level gravels of the valley of the Somme were intensely cold.
The primitive people, who co-existed with the elephant and rhinoceros in the valley of the Ouse at Bedford, and who made use of flint tools of the Amiens type, certainly inhabited part of England which had already emerged from the waters of the glacial sea and the fabricators of the flint tools of Hoxne, in Suffolk, were also, as we have seen, post-glacial. We may likewise presume that the people of Pleistocene date, who have left their memorials in the valley of the Thames, were of corresponding antiquity, posterior to the boulder clay but anterior to the time when the rivers of that region had settled into their present channels.
The vast distance of time which separated the origin of the higher and lower gravels of the valley of the Somme, both of them rich in flint implements of similar shape (although those of oval form predominate in the newer gravels), leads to the conclusion that the state of the arts in those early times remained stationary for almost indefinite periods. There may, however, have been different degrees of civilisation and in the art of fabricating flint tools, of which we cannot easily detect the signs in the first age of stone, and some contemporary tribes may have been considerably in advance of others. Those hunters, for example, who feasted on the rhinoceros and buried their dead with funeral rites at Aurignac may have been less barbarous than the savages of St. Acheul, as some of their weapons and utensils have been thought to imply. To a European who looks down from a great eminence on the products of the humble arts of the aborigines of all times and countries, the stone knives and arrows of the Red Indian of North America, the hatchets of the native Australian, the tools found in the ancient Swiss lake-dwellings or those of the Danish kitchen-middens and of St. Acheul, seem nearly all alike in rudeness and very uniform in general character. The slowness of the progress of the arts of savage life is manifested by the fact that the earlier instruments of bronze were modelled on the exact plan of the stone tools of the preceding age, although such shapes would never have been chosen had metals been known from the first. The reluctance or incapacity of savage tribes to adopt new inventions has been shown in the East by their continuing to this day to use the same stone implements as their ancestors, after that mighty empires, where the use of metals in the arts was well known, had flourished for three thousand years in their neighbourhood.
We see in our own times that the rate of progress in the arts and sciences proceeds in a geometrical ratio as knowledge increases, and so when we carry back our retrospect into the past, we must be prepared to find the signs of retardation augmenting in a like geometrical ratio; so that the progress of a thousand years at a remote period may correspond to that of a century in modern times, and in ages still more remote Man would more and more resemble the brutes in that attribute which causes one generation exactly to imitate in all its ways the generation which preceded it.
The extent to which even a considerably advanced state of civilisation may become fixed and stereotyped for ages, is the wonder of Europeans who travel in the East. One of my friends declared to me, that whenever the natives expressed to him a wish "that he might live a thousand years," the idea struck him as by no means extravagant, seeing that if he were doomed to sojourn for ever among them, he could only hope to exchange in ten centuries as many ideas, and to witness as much progress as he could do at home in half a century.