HKB
They were evidently written in moments of absolute abandonment to feeling--in moments when he was absorbed in the contemplation of some great truth, made luminous by his own unrivalled powers.
Closely allied to this intensity of passion, is a splendid imaginative quality. Few writers of English prose have such command of figurative expression. It must be said, however, that Burke was not entirely free from the faults which generally accompany an excessive use of figures. Like other great masters of a decorative style, he frequently becomes pompous and grandiloquent. His thought, too, is obscured, where we would expect great clearness of statement, accompanied by a dignified simplicity; and occasionally we feel that he forgets his subject in an anxious effort to make an impression. Though there are passages in his writings that justify such observations, they are few in number, when compared with those which are really masterpieces of their kind.
Some great crisis, or threatening state of affairs, seems to furnish the necessary condition for the exercise of a great mind, and Burke is never so effective as when thoroughly aroused. His imagination needed the chastening which only a great moment or critical situation could give. Two of his greatest speeches--Conciliation, and Impeachment of Warren Hastings--were delivered under the restraining effect of such circumstances, and in each the figurative expression is subdued and not less beautiful in itself than, appropriate for the occasion.
Finally, it must be observed that no other writer of English prose has a better command of words. His ideas, as multifarious as they are, always find fitting expression. He does not grope for a term; it stands ready for his thought, and one feels that he had opportunity for choice. It is the exuberance of his fancy, already mentioned, coupled with this richness of vocabulary, that helped to make Burke a tiresome speaker. His mind was too comprehensive to allow any phase of his subject to pass without illumination. He followed where his subject led him, without any great attention to the patience of his audience. But he receives full credit when his speeches are read. It is then that his mastery of the subject and the splendid qualities of his style are apparent, and appreciated at their worth.
In conclusion, it is worth while observing that in the study of a great character, joined with an attempt to estimate it by conventional standards, something must always be left unsaid. Much may be learned of Burke by knowing his record as a partisan, more by a minute inspection of his style as a writer, but beyond all this is the moral tone or attitude of the man himself. To a student of Burke this is the greatest thing about him. It colored every line he wrote, and to it, more than anything else, is due the immense force of the man as a speaker and writer. It was this, more than Burke's great abilities, that justifies Dr. Johnson's famous eulogy: "He is not only the first man in the House of Commons, he is the first man everywhere."
A GROUP OF WRITERS COMING IMMEDIATELY AFTER BURKE
Wordsworth . . . . 1770-1850
Coleridge . . . . . 1772-1834
Byron . . . . . . . 1788-1824
Shelley . . . . . . 1792-1822
Keats . . . . . . . 1795-1821
Scott . . . . . . . 1771-1832
TOPICS FOR SPECIAL REPORTS
"Like Goldsmith, though in a different sphere, Burke belongs both to the old order and the new." Discuss that statement.
Burke and the Literary Club. (Boswell's Life of Johnson.)
Lives of Burke and Goldsmith. Contrast.
An interpretation of ten apothegms selected from the Speech on Conciliation.
A study of figures in the Speech on Conciliation.
A definition of the terms: "colloquialism" and "idiom" Instances of their use in the Speech on Conciliation.
BIBLIOGRAPHY
Burke's Life. John Morley. English Men of Letters Series.
Burke. John Morley. An Historical Study.
Burke. John Morley. Encyclopaedia Britannica.