HKB

← back

The Autobiography of Benvenuto Cellini

Benvenuto Cellini · composed 1558–1566 (recording events down to 1562) primary

passage 243 of 360 · (243/360)

in brief
Cellini unveils a second, larger fountain model and explains its symbolic figures—Mars, Learning, Philosophy, Design, Music, Generosity—prompting the King to praise him and fund the project without limits.

XXII

WHEN the King had seen this model, it restored him to cheerfulness, and distracted his mind from the fatiguing debates he had been holding during the past two hours. Seeing him cheerful as I wished, I uncovered the other model, which he was far from expecting, since he not unreasonably judged that the first had work in it enough. This one was a little higher than two cubits; it figured a fountain shaped in a perfect square, with handsome steps all round, intersecting each other in a way which was unknown in France, and is indeed very uncommon in Italy. In the middle of the fountain I set a pedestal, projecting somewhat above the margin of the basin, and upon this a nude male figure, of the right proportion to the whole design, and of a very graceful form. In his right hand he raised a broken lance on high; his left hand rested on a scimitar; he was poised upon the left foot, the right being supported by a helmet of the richest imaginable workmanship. At each of the four angles of the fountain a figure was sitting, raised above the level of the base, and accompanied by many beautiful and appropriate emblems.

← previous passage read in the full work → next passage →

topics: crafts, industry, and manufacture · education and the training of the young · money, coin, and credit

The Autobiography of Benvenuto Cellini · Benvenuto Cellini · 1558–1566