HKB
for current expenses; but they bade me give good heed to my own proceedings, [1] for the fine heads I meant to cast in my Italian fashion would never succeed.
At this dispute between us there were present the treasurers and other gentlefolk commissioned by the King to superintend my proceedings. Everything which passed by word or act was duly reported to his Majesty. The two old men who had undertaken to cast my Jupiter postponed the experiment, saying they would like to arrange the moulds of my two heads. They argued that, according to my method, no success could be expected, and it was a pity to waste such fine models. When the King was informed of this, he sent word that they should give their minds to learning, and not try to teach their master.
So then they put their now piece into the furnace with much laughter; while I, maintaining a firm carriage, showing neither mirth nor anger (though I felt it), placed my two heads, one on each side of the Jupiter. The metal came all right to melting, and we let it in with joy and gladness; it filled the mould of the Jupiter most admirably, and at the same time my two heads. This furnished them with matter for rejoicing and me with satisfaction; for I was not sorry to have predicted wrongly of their work, and they made as though they were delighted to have been mistaken about mine. Then, as the custom in France is, they asked to drink, in high good spirits. I was very willing, and ordered a handsome collation for their entertainment. When this was over, they requested me to pay the money due to them and the surplus I had promised. I replied: “You have been laughing over what, I fear, may make you weep. On reflection, it seems to me that too much metal flowed into you mould. Therefore I shall wait until to-morrow before I disburse more money.” The poor fellows swallowed my words and chewed the cud of them; then they went home without further argument.
At daybreak they began, quite quietly, to break into the pit of the furnace. They could not uncover their large mould until they had extracted my two heads; these were in excellent condition, and they placed them where they could be well seen. When they came to Jupiter, and had dug but scarcely two cubits, they sent up such a yell, they and their four workmen, that it woke me up. Fancying it was a shout of triumph, I set off running, for my bedroom was at the distance of more than five hundred paces. On reaching the spot, I found them looking like the guardians of Christ’s sepulchre in a picture, downcast and terrified. Casting a hasty glance upon my two heads, and seeing they were all right, I tempered my annoyance with the pleasure that sight gave me. Then they began to make excuses, crying: “Our bad luck!” I retorted: “Your luck has been most excellent, but what has been indeed bad is your deficiency of knowledge; had I only seen you put the soul [2] into your mould, I could have taught you with one word how to cast the figure without fault. This would have brought me great honour and you much profit. I shall be able to make good my reputation; but you will now lose both your honour and your profit. Let then this lesson teach you another time to work, and not to poke fun at your masters.”
Note 1. 'Ma che io guardassi bene, che, &c.' This is perhaps: 'but they bade me note well that.'
Note 2. I have here translated the Italian 'anima' literally by the English word soul. It is a technical expression, signifying the block, somewhat smaller than the mould, which bronze-founders insert in order to obtain a hollow, and not a solid cast from the mould which gives form to their liquid metal.
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