Alexandria

← back

Valerius Terminus: Of the Interpretation of Nature

Francis Bacon · c. 1603 (fragmentary composition for the planned work on the Interpretation of Nature) primary

passage 42 of 66 · (8/8)

↪ you wandered here via “Pillars of Hercules Strait” — the connecting lines are tinted below

in brief
Using examples from Greek myth, it explains Hercules, Harmodius, and the “Pillars of Hercules,” then says Bacon metaphorically contrasts Hercules’s strength and justice with Harmodius’s limited assassination motives.

| | Simone Wirthmann comments: | Hercules (gr. Heracles), (lit. "having | or showing the glory of Hera"; Hera, | wife of Zeus) Hercules, the son of | Zeus and of the mortal Alkmene was a | celebrated hero of Greek and Roman | mythology, who after death was ranked | among the gods and received divine | honours. He is represented as | possessed of prodigious strength, | whereby he was enabled to perform | twelve extraordinary tasks or | "labours" imposed upon him by Hera. | One of these tasks was to capture the | cattles of the three-headed giant | Geryoneus. It is said, that on this | journey Hercules set up the rocks | Calpé (now Gibraltar) and Abyla | (Ceuta) / THE PILLARS OF HERCULES on | either side of the Strait of | Gibraltar, as a sign for his longest | journey. THE PILLARS where seen by the | ancients to be the supports of the | western boundary of the world. | | Bacon uses the myth of Hercules and | Harmodius in a methaphorical way, to | elucidate the real contents of | knowledge by comparing the two | "heroes". Hercules impersonates | strength and justice, throughout his | life he tried to free people from | tyranny, fought against giants and | monsters without thinking of his own | benefit. Harmodius in comparison tried | to kill the tyrants Hippias and | Hipparchus in consequence of a private | quarrel and not primarily to free | people. | | This shows, that for Bacon knowledge | must be of general existence and not | only refer to some particular point. | | Nevertheless, in one of his later | works, DE SAPIENTIA VETERUM (1609), | Hercules is not the Baconian hero | anymore. The real hero is Orpheus, the | philosopher. His works are superior to | the works of Hercules as the "works of | wisdom" (opera sapientiae) are | superior to the "works of strength" | (opera fortitudinis) (VI, 729). | | Orpheus was a legendary poet, a famous | musician and singer of ancient Greece, | who had the power of charming all | animate and inanimate objects (he | could move rocks and trees) by the | sweet strains of his lyre. He | descended living into Hades, to bring | back to life his wife Eurydice, and | perished, torn to pieces by infuriated | Thracian maenads (see THE OXFORD | CLASSICAL DICTIONARY; THE CENTURY | DICTIONARY, VOL. 4)

← previous passage read in the full work → next passage →

topics: ambition and the love of glory · justice as a virtue

Valerius Terminus: Of the Interpretation of Nature · Francis Bacon · 1603