HKB
not good for servants, as it leads them to presume upon the easy-going temperament of their master, but that is only a good- natured grumble on the perennial servant problem.
Pliny was thrice married, twice under Domitian, but his second wife died in 97, and the lady who figures in the letters is his third wife Calpurnia, grand-daughter of Calpurnius Fabatus, and niece of a lady named Hispulla. We get a charming picture of their mutual happiness in a letter written by Pliny to Hispulla, who had had charge of his wife's education when she was a girl. He praises her intelligence, her economy, her love for him, and the interest she takes in his career. When he is pleading in the courts she has messengers to bring her word of the success of the speech and the result of the trial; when he is giving a reading to his friends, Calpurnia sits behind a curtain and greedily drinks in the praises they bestow. She sets his verses to music, and Hispulla, who made the match, is neatly rewarded at the conclusion of the letter by Pliny saying that both he and his wife vie with one another in seeing who can thank her the more. When Calpurnia was obliged to leave her husband and go to Campania for her health, we find Pliny writing her tender love-letters, describing his anxiety on her behalf, telling her how he conjures up the very things he most dreads, how he reads and re-reads her letters, which are his only comfort, and begging her to write him certainly once, and if possible, twice a day. Then in the prettiest passage of all, he tells her how, at the hours when he used to visit her, he finds his feet carrying him to the door of her chamber and turns away from the threshold of the empty room, sad as a lover who finds the door closed against him. The glimpses which Roman literature affords us of the conjugal happiness of man and wife are comparatively few. Cicero, indeed, wrote in a similar strain to his wife Terentia, and used even tenderer diminutives than Pliny, but the sequel was that he soon afterwards divorced her and married a rich ward. We do not know the sequel in the case of Pliny. All we know is that he nearly lost his wife in a dangerous illness brought on by a miscarriage, and that she accompanied him to Bithynia during his governorship. Whether she bore him the child which he so ardently desired is not stated, but the probabilities are against it, as there is no mention of such an event in the letters. His correspondence clearly proves that for all his ambition he was essentially a family man. Nothing could be finer than his description of the heroic devotion of Arria to her husband, and the pathos with which he describes the conduct of Fannia, who concealed the death of her dearly loved son from her sick husband Paetus, telling him the boy was well and resting quietly, and controlling her motherly tears until she could keep them back no longer, and rushed from the room to give them free course. Then, "Satiata siccis oculis composito vultu redibat, tanquam orbitatem foris reliquisset." No one could have written that beautiful sentence but a man of tender heart and sympathies.
Pliny's tastes were catholic. He writes with delight, but without pretending to be a connoisseur, of an antique statuette which he had purchased out of a legacy. Some rich men in Rome had the mania for antiques--Corinthian bronzes were the rage in Pliny's day--as badly as those who haunt our modern sale-rooms. Pliny's hobby, if he had been living in our time, would probably have been books. He is one of the most bookish men of antiquity. Wherever he went his books went with him; in his carriage, in his gardens they never left his side. He betrays, moreover, a taste for the beauties of nature which is distinctly un-Roman. Even the Roman poets were almost utterly oblivious to the charms of scenery. When Horace points out of the window to the snow lying deep on Soracte, it is not to emphasise the beauty of the scene, but a preliminary to telling the boy to pile the logs of Algidus upon the fire. Even Virgil, who occasionally paints a bit of landscape or seascape in the Aeneid, does so in a half-hearted fashion, as a mere preface to the incident which is to follow, not from a poet's love of beauty. In Pliny, on the other hand, we find the modern love for a beautiful view. Me nihil aeque ac natura opera delectant. When he describes his Tuscan villa he uses language with which we feel in complete harmony. He specifies the places from which the best views may be obtained; and if the garden seems to our taste to have been laid out in rather a formal way, with its box-trees cut into different shapes of animals and birds, he was in that respect only following the fashion of his day, and his delight in the unadorned beauties of the surrounding country has a genuine ring in it. In another curious respect Pliny was ahead of his times. He had no taste for the Circensian games and the brutalities of the gladiatorial shows. Writing to Sempronius Rufus (iv. 22), he bluntly declares that he wishes they could be abolished in Rome, inasmuch as they degrade the character and morals of the whole world. In another passage (ix. 6) he says that the Circensian games have not the smallest attraction for him--ne levissime quidem teneor. He cannot understand why so many thousands of grown-up people take such a childish pleasure in watching horses running races. It is not the speed of the horses or the skill of the drivers which is the attraction,--if it were, there might be some reason for their enthusiasm,--what they go to see is the victory of their pet racing colours, the triumph of the reds, blues, or greens. Favent panno, pannum amant.
We find him writing on all manner of subjects. He asks his scientific friends to explain to him the mystery of a spring whose waters ebb and flow, of a lake which contained floating islands, and in one letter he tells a fascinating ghost story of quite the conventional type, about a haunted house, which drove any unwary tenant crazy, and the ghost of a murdered man which walked with clanking chains. Pliny was no cut and dried philosopher. Like his master Cicero he was an eclectic, and pinned his faith to no single creed. Whatever was human interested him, and on whatever interested him he put pen to paper. It need scarcely be said how valuable these letters are in filling up the gaps of Roman history. We have to thank Pliny for our knowledge of the great eruption of Vesuvius which overwhelmed Pompeii and Herculaneum, and it was probably only due to the accident that the elder Pliny was one of the victims that we possess the two striking letters in which the disaster is described. In another letter our author describes how the Emperor Trajan sent for him and others to his country seat at Centum Cellae, to help him to try certain important cases, and then he tells us of the modest, simple living of Trajan--Suavitas simplicitasque convictus--and the presents he gave them on their departure. The debates in the Senate, the trials in the Court of the Hundred, the public readings in the city, which--first introduced by Asinius Pollio in the time of Augustus--were then the fashion,--of all these Pliny gives us a clear presentment. His charity is hardly ever at fault. Only when he writes of Regulus and Pallas does he dip his pen in gall. But Regulus had been his bitter enemy and an informer, and the memory of Pallas was justly execrated.
A few words may be added respecting the letters which form the Tenth