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Essays — Second Series

Ralph Waldo Emerson · 1844

passage 50 of 118 · (50/61)

↪ you wandered here via “heraldry and chivalry courtesy” — the connecting lines are tinted below

without written law or exact usage of any kind, perpetuates itself, colonizes every new-planted island and adopts and makes its own whatever personal beauty or extraordinary native endowment anywhere appears.

What fact more conspicuous in modern history than the creation of the gentleman? Chivalry is that, and loyalty is that, and, in English literature, half the drama, and all the novels, from Sir Philip Sidney to Sir Walter Scott, paint this figure. The word gentleman, which, like the word Christian, must hereafter characterize the present and the few preceding centuries by the importance attached to it, is a homage to personal and incommunicable properties. Frivolous and fantastic additions have got associated with the name, but the steady interest of mankind in it must be attributed to the valuable properties which it designates. An element which unites all the most forcible persons of every country; makes them intelligible and agreeable to each other, and is somewhat so precise that it is at once felt if an individual lack the masonic sign,--cannot be any casual product, but must be an average result of the character and faculties universally found in men. It seems a certain permanent average; as the atmosphere is a permanent composition, whilst so many gases are combined only to be decompounded. Comme il faut, is the Frenchman's description of good Society: as we must be. It is a spontaneous fruit of talents and feelings of precisely that class who have most vigor, who take the lead in the world of this hour, and though far from pure, far from constituting the gladdest and highest tone of human feeling, is as good as the whole society permits it to be. It is made of the spirit, more than of the talent of men, and is a compound result into which every great force enters as an ingredient, namely virtue, wit, beauty, wealth, and power.

There is something equivocal in all the words in use to express the excellence of manners and social cultivation, because the quantities are fluxional, and the last effect is assumed by the senses as the cause. The word gentleman has not any correlative abstract to express the quality. Gentility is mean, and gentilesse is obsolete. But we must keep alive in the vernacular the distinction between fashion, a word of narrow and often sinister meaning, and the heroic character which the gentleman imports. The usual words, however, must be respected; they will be found to contain the root of the matter. The point of distinction in all this class of names, as courtesy, chivalry, fashion, and the like, is that the flower and fruit, not the grain of the tree, are contemplated. It is beauty which is the aim this time, and not worth. The result is now in question, although our words intimate well enough the popular feeling that the appearance supposes a substance. The gentleman is a man of truth, lord of his own actions, and expressing that lordship in his behavior, not in any manner dependent and servile, either on persons, or opinions, or possessions. Beyond this fact of truth and real force, the word denotes good-nature or benevolence: manhood first, and then gentleness. The popular notion certainly adds a condition of ease and fortune; but that is a natural result of personal force and love, that they should possess and dispense the goods of the world. In times of violence, every eminent person must fall in with many opportunities to approve his stoutness and worth; therefore every man's name that emerged at all from the mass in the feudal ages, rattles in our ear like a flourish of trumpets. But personal force never goes out of fashion. That is still paramount to-day, and in the moving crowd of good society the men of valor and reality are known and rise to their natural place. The competition is transferred from war to politics and trade, but the personal force appears readily enough in these new arenas.

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Essays — Second Series · Ralph Waldo Emerson · 1844