HKB
on the north side is the like doorcase. And, in brief, all the apertures are not only judiciously disposed for commodiousness, illumination of the fabric, &c., but are very ornamental.
At the west end is an acroteria of the figures of the twelve apostles, each about eleven feet high, with that of St. Paul on the angle of the pediment, and those of the four evangelists, two of each cumbent between as many angles on a circular pediment. Over the dials of the clock on the fronts of the two towers, also an entablature and circles of enrichment, where twelve stones compose the aperture, answering to the twelve hours.
The said towers are adorned with circular ranges of columns of the Corinthian order, with domes upon the upper part, and at the vertex of each a curious pineapple.
The choir has its roof supported with six spacious pillars, and the church with six more, besides which there are eight that support the cupola and two very spacious ones at the west end. All which pillars are adorned with pilasters of the Corinthian and Composite orders, and also with columns fronting the cross-aisle, or ambulatory, between the consistory and morning prayer chapel, which have each a very beautiful screen of curious wainscot, and adorned each with twelve columns, their entablatures arched pediments, and the king’s arms, enriched with cherubims, and each pediment between four vases, all curiously carved. These screens are fenced with ironwork, as is also the cornice at the west end of the church, and so eastward beyond the first arch.
The pillars of the church that support the roof are two ranges, with their entablature and beautiful arches, whereby the body of the church and choir are divided into three parts or aisles. The roof of each is adorned with arches and spacious peripheries of enrichments, as shields, leaves, chaplets, &c. (the spaces included being somewhat concave), admirably carved in stone; and there is a large cross aisle between the north and south porticoes, and two ambulatories, the one a little eastward, the other westward from the said cross-aisle, and running parallel therewith. The floor of the whole is paved with marble, but under the cupola and within the rail of the altar with fine porphyry, polished and laid in several geometrical figures.
The altar-piece is adorned with four noble fluted pilasters, finely painted and veined with gold, in imitation of lapis lazuli, with their entablature, where the enrichments, and also the capitals of the pilasters, are double gilt with gold. These intercolumns are twenty-one panels of figured crimson velvet, and above them six windows, viz., in each intercolumniation seven panels and two windows, one above the other; at the greatest altitude above all which is a glory finely done. The aperture north and south into the choir are (ascending up three steps of black marble) by two iron folding-doors, being, as that under the organ-gallery, &c., exquisitely wrought into divers figures, spiral branches, and other flourishes. There are two others at the west end of the choir, the one opening into the south aisle, the other in the north, done by the celebrated artist in this way, M. Tijan.
And what contributes to the beauty of this choir are the galleries, the bishop’s throne, Lord Mayor’s seat, with the stalls, all which being contiguous, compose one vast body of carved work of the finest wainscot, constituting three sides of a quadrangle.