HKB

← back

The Canterbury Tales, and Other Poems

Geoffrey Chaucer · c. 1387–1400 (composition of The Canterbury Tales and included poems; some items likely earlier/later) primary

passage 441 of 501 · i.e. (15/15)

↪ you wandered here via “Pandarus as Troilus helper” — the connecting lines are tinted below

in brief
Pandarus delivers Troilus’s letter to Cressida, who reads and replies under pressure, then—through staged conversations with Deiphobus and Helen—Troilus and Cressida are positioned for an interview while avoiding scandal.

consistent* For if a painter woulde paint a pike With ass’s feet, and head it as an ape,<32> It ’cordeth not, so were it but a jape.” is not harmonious

Troilus writes the letter, and next morning Pandarus bears it to Cressida. She refuses to receive “scrip or bill that toucheth such mattere;” but he thrusts it into her bosom, challenging her to throw it away. She retains it, takes the first opportunity of escaping to her chamber to read it, finds it wholly good, and, under her uncle’s dictation, endites a reply telling her lover that she will not make herself bound in love; “but as his sister, him to please, she would aye fain [be glad] to do his heart an ease.” Pandarus, under pretext of inquiring who is the owner of the house opposite, has gone to the window; Cressida takes her letter to him there, and tells him that she never did a thing with more pain than write the words to which he had constrained her. As they sit side by side, on a stone of jasper, on a cushion of beaten gold, Troilus rides by, in all his goodliness. Cressida waxes “as red as rose,” as she sees him salute humbly, “with dreadful cheer, and oft his hues mue [change];” she likes “all y-fere, his person, his array, his look, his cheer, his goodly manner, and his gentleness;” so that, however she may have been before, “to goode hope now hath she caught a thorn, she shall not pull it out this nexte week.” Pandarus, striking the iron when it is hot, asks his niece to grant Troilus an interview; but she strenuously declines, for fear of scandal, and because it is all too soon to allow him so great a liberty — her purpose being to love him unknown of all, “and guerdon [reward] him with nothing but with sight.” Pandarus has other intentions; and, while Troilus writes daily letters with increasing love, he contrives the means of an interview. Seeking out Deiphobus, the brother of Troilus, he tells him that Cressida is in danger of violence from Polyphete, and asks protection for her. Deiphobus gladly complies, promises the protection of Hector and Helen, and goes to invite Cressida to dinner on the morrow. Meantime Pandarus instructs Troilus to go to the house of Deiphobus, plead an access of his fever for remaining all night, and keep his chamber next day. “Lo,” says the crafty promoter of love, borrowing a phrase from the hunting-field; “Lo, hold thee at thy tristre [tryst <33>] close, and I shall well the deer unto thy bowe drive.” Unsuspicious of stratagem, Cressida comes to dinner; and at table, Helen, Pandarus, and others, praise the absent Troilus, until “her heart laughs” for very pride that she has the love of such a knight. After dinner they speak of Cressida’s business; all confirm Deiphobus’ assurances of protection and aid; and Pandarus suggests that, since Troilus is there, Cressida shall herself tell him her case. Helen and Deiphobus alone accompany Pandarus to Troilus’ chamber; there Troilus produces some documents relating to the public weal, which Hector has sent for his opinion; Helen and Deiphobus, engrossed in perusal and discussion, roam out of the chamber, by a stair, into the garden; while Pandarus goes down to the hall, and, pretending that his brother and Helen are still with Troilus, brings Cressida to her lover. The Second

← previous passage read in the full work → next passage →

topics: censorship and the press · contracts, oaths, and obligation

The Canterbury Tales, and Other Poems · Geoffrey Chaucer · 1387–1400