HKB
rich assemblage. Besides the company who had been at dinner, there were Mr. Garrick, Mr. Harris of Salisbury, Dr. Percy, Dr. Burney, Honourable Mrs. Cholmondeley, Miss Hannah More, &c. &c.
After wandering about in a kind of pleasing distraction for some time, I got into a corner, with Johnson, Garrick, and Harris. GARRICK. (to Harris,) 'Pray, Sir, have you read Potter's Aeschylus?' HARRIS. 'Yes; and think it pretty.' GARRICK. (to Johnson,) 'And what think you, Sir, of it?' JOHNSON. 'I thought what I read of it VERBIAGE: but upon Mr. Harris's recommendation, I will read a play. (To Mr. Harris,) Don't prescribe two.' Mr. Harris suggested one, I do not remember which. JOHNSON. 'We must try its effect as an English poem; that is the way to judge of the merit of a translation. Translations are, in general, for people who cannot read the original.' I mentioned the vulgar saying, that Pope's Homer was not a good representation of the original. JOHNSON. 'Sir, it is the greatest work of the kind that has ever been produced.' BOSWELL. 'The truth is, it is impossible perfectly to translate poetry. In a different language it may be the same tune, but it has not the same tone. Homer plays it on a bassoon; Pope on a flagelet.' HARRIS. 'I think Heroick poetry is best in blank verse; yet it appears that rhyme is essential to English poetry, from our deficiency in metrical quantities. In my opinion, the chief excellence of our language is numerous prose.' JOHNSON. 'Sir William Temple was the first writer who gave cadence to English prose. Before his time they were careless of arrangement, and did not mind whether a sentence ended with an important word or an insignificant word, or with what part of speech it was concluded.'