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Poems

Wilfred Owen · 1915-1918 (poems composed in the years of Owen’s First World War service; some pieces revised later, and the collection was assembled posthumously)

passage 5 of 12 · (5/12)

in brief
After “Parable of the Old Men and the Young,” “Arms and the Boy” contrasts a cruel weaponized youth with God’s absence of animal claws, then “Anthem for Doomed Youth” replaces bells and prayers with guns and shells.

stroke these blind, blunt bullet-heads Which long to muzzle in the hearts of lads. Or give him cartridges of fine zinc teeth, Sharp with the sharpness of grief and death.

For his teeth seem for laughing round an apple. There lurk no claws behind his fingers supple; And God will grow no talons at his heels, Nor antlers through the thickness of his curls.

Anthem for Doomed Youth

What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries for them; no prayers nor bells, Nor any voice of mourning save the choirs,-- The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.

What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds.

The Send-off

Down the close, darkening lanes they sang their way To the siding-shed, And lined the train with faces grimly gay.

Their breasts were stuck all white with wreath and spray As men's are, dead.

Dull porters watched them, and a casual tramp Stood staring hard, Sorry to miss them from the upland camp. Then, unmoved, signals nodded, and a lamp Winked to the guard.

So secretly, like wrongs hushed-up, they went. They were not ours: We never heard to which front these were sent.

Nor there if they yet mock what women meant Who gave them flowers.

Shall they return to beatings of great bells In wild trainloads? A few, a few, too few for drums and yells, May creep back, silent, to still village wells Up half-known roads.

Insensibility

I

Happy are men who yet before they are killed Can let their veins run cold. Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers. The front line withers, But they are troops who fade, not flowers For poets' tearful fooling: Men, gaps for filling Losses who might have fought Longer; but no one bothers.

II

And some cease feeling Even themselves or for themselves. Dullness best solves The tease and doubt of shelling, And Chance's strange arithmetic Comes simpler than the reckoning of their shilling. They keep no check on Armies' decimation.

III

Happy are these who lose imagination: They have enough to carry with ammunition. Their spirit drags no pack. Their old wounds save with cold can not more ache. Having seen all things red, Their eyes are rid Of the hurt of the colour of blood for ever. And terror's first constriction over, Their hearts remain small drawn. Their senses in some scorching cautery of battle Now long since ironed, Can laugh among the dying, unconcerned.

IV

Happy the soldier home, with not a notion How somewhere, every dawn, some men attack, And many sighs are drained. Happy the lad whose mind was never trained: His days are worth forgetting more than not. He sings along the march Which we march taciturn, because of dusk, The long, forlorn, relentless trend From larger day to huger night.

V

We wise, who with a thought besmirch Blood over all our soul, How should we see our task But through his blunt and lashless eyes? Alive, he is not vital overmuch; Dying, not mortal overmuch; Nor sad, nor proud, Nor curious at all. He cannot tell Old men's placidity from his.

VI

But cursed are dullards whom no cannon stuns, That they should be as stones. Wretched are they, and mean With paucity that never was simplicity. By choice they made themselves immune To pity and whatever mourns in man Before the last sea and the hapless stars; Whatever mourns when many leave these shores; Whatever shares The eternal reciprocity of tears.

Dulce et Decorum est

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topics: conquest, plunder, and captives · justice as a virtue · the fear of death

Poems · Wilfred Owen · 1915–1918