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Don Quixote

Miguel de Cervantes Saavedra · c. 1605–1615 primary

passage 418 of 841 · CHAPTER I WHICH TREATS OF THE CHARACTER AND > CHAPTER XLVIII. (2/6)

in brief
The canon’s actor anecdote is extended: the canon insists past Spanish tragedies like ‘Isabella,’ ‘Phyllis,’ and ‘Alexandra’ followed artistic principles and pleased both wise and ignorant.

“‘No doubt,’ replied the actor in question, ‘you mean the “Isabella,” the “Phyllis,” and the “Alexandra.”’

“‘Those are the ones I mean,’ said I; ‘and see if they did not observe the principles of art, and if, by observing them, they failed to show their superiority and please all the world; so that the fault does not lie with the public that insists upon nonsense, but with those who don’t know how to produce something else. “The Ingratitude Revenged” was not nonsense, nor was there any in “The Numantia,” nor any to be found in “The Merchant Lover,” nor yet in “The Friendly Fair Foe,” nor in some others that have been written by certain gifted poets, to their own fame and renown, and to the profit of those that brought them out;’ some further remarks I added to these, with which, I think, I left him rather dumbfoundered, but not so satisfied or convinced that I could disabuse him of his error.”

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topics: fable, romance, and storytelling · poetry and the poets · translation and the transmission of texts

Don Quixote · Miguel de Cervantes Saavedra · 1605–1615